David ChaillouUniversity of Lille · inspe
David Chaillou
About
7
Publications
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Introduction
Publications
Publications (7)
Music, Performing arts, Composition, French / chinese translation
The First Consul’s (and later Emperor’s) interest in the Opéra de Paris was not merely musical. The stage in Paris was a place of propaganda, dedicated to singing the praises of the regime and the sovereign, and so it was carefully regulated by a governing body comprising the Préfet du Palais (later Surintendant de spectacles), a Jury de lecture an...
[eng] Abstract Napoleon used the scene of the Paris Opéra (the Imperial Academy of Music) to build his own legend during his life. For instance he ordered works of circumstance like the «Triomphe du mois de Mars» written by Dupaty and Kreutzer to celebrate the birth of the King of Rome in march 1811. This article analyses the story of this piece of...
Communication au colloque Musique et Rites (Université de Tours, 18 mai 1999).
