Charles Klippel Neimog- Phd of Arts
- PhD Student at University of São Paulo
Charles Klippel Neimog
- Phd of Arts
- PhD Student at University of São Paulo
PhD Student at University of São Paulo
About
13
Publications
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Introduction
Charles K. Neimog is a composer and a Ph.D. student (2021) in Music at the University of São Paulo (USP). His compositions and research are focused on the transformations of musical composition when using embedded devices, the characteristics inherent to the algorithm, the interaction between humans and machines, and how we can observe/study such interaction through Electroacoustic Music.
Skills and Expertise
Current institution
Additional affiliations
April 2019 - February 2021
Education
March 2019 - February 2021
January 2015 - December 2018
Publications
Publications (13)
This communication will present a library capable of integrating OM-Sharp (OpenMusic too) and PureData. There are two goals: The first is to allow the processing of large amounts of data using the visual language (BRESSON et al., 2017) of OM-Sharp (OM) and the offline mode of PureData. The second is to bring PureData's audio possibilities to OM.
It is a simple implementation of Fast Fourier Transform (FFT) in OpenMusic and OM-Sharp Visual Environment. I believe it can be convenient when we are teaching about FFT and Audio Processing.
In this article, we will present how we can create, organize and understand pitches of Just Intonation using 1) the theory of sieves (XENAKIS, 1992) to filter the numbers of the harmonic series, 2) the decomposition by prime-numbers (EXARCHOS et al., 2011) applied to the numbers resulted from the sieve, 3) the concept of harmonic identities by John...
Abstract: The processes presented aim to establish principles for the organization of Just Intonation systems in the electronic environment by changing partials of a timbre. We intend to merge harmony and timbre as in Spectralism, but starting from the harmonic theories of Partch (1974), Johnston (2006), and Wilson (NARUSHIMA, 2018), to modify timb...
This article aims to highlight some properties of the Fast Fourier Transform (FFT) that may have aesthetic/technical impact on a musical composition and, therefore, should be minimally acknowledge by the artist. To give a didactical contribution to the problem, at the end of the article, we present an OpenMusic library (a work in progress) that all...
This library is a complementation of the mathtools developed by Carlos Agon and Moreno Andreatta. It has that aim to make more easy the use of the Xenakis' sieves in OM#.
This Library aims to create an environment for the microtonal music composition, mainly for Just Intonation composition. This library constructs the theory of Harry Partch, Erv Wilson, and Ben Johnston. It works in OM# and OpenMusic.
In this research, we will present ways of organizing pitches from Just Intonation through Iannis Xenakis’ Theory of the Sieves. We will focus on Harry Partch’s Just Intonation with the Diamond-Tonality, on the Tuning system used by Ben Johnston in the string quartets no. 2 and no. 3, in the Moment of Symmetry by Erv Wilson, and finally in the Combi...
Neste texto, investigamos como estruturas microtonais foram organizadas por compositores em obras eletroacústicas. Mais que uma análise musical, nos interessa explorar os problemas composicionais emergentes quando nos deparamos com os conceitos e terminologias de classificação de alturas (microtonalidade, temperamento, timbre etc.). Exploramos, por...
Neste texto analisamos os instrumentos eletroacústicos de tecla que possibilitaram a execução de estruturas microtonais e afinações alternativas. Além de um levantamento histórico sobre esses instrumentos, também nos interessa saber a relação destes com a composição microtonal. Investigamos também as razões pelas quais esses instrumentos não atingi...
Este artigo tem por objetivo examinar os sistemas de afinação de Harry Partch (1901-1974) e de Ben Johnston (1926-) com a finalidade de emergir suas estruturas. Busca-se também investigar uma vertente pouco difundida da música americana, com forte fundamento na matemática e acústica musical. Nesse sentido, é interessante verificar a influência de P...
Este artigo tem por objetivo examinar os sistemas de afinação de Harry Partch (1901-1974) e de Ben Johnston (1926-) com a finalidade de emergir suas estruturas. Busca-se também investigar uma vertente pouco difundida da música americana, com forte fundamento na matemática e acústica musical. Este artigo baseia-se principalmente nos escritos destes...
