Carlos Caires- Ph. D. Université de Paris VIII
- Professor coordenador at Polytechnical Institute of Lisbon
Carlos Caires
- Ph. D. Université de Paris VIII
- Professor coordenador at Polytechnical Institute of Lisbon
Composer / Professor of Composition and Computer Music
Researcher at CESEM Nova FCSH
About
8
Publications
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Introduction
Main research topics: musical composition, electronic and mixed music.
https://www.carloscaires.com/
https://irin.carloscaires.com/
Current institution
Additional affiliations
September 2015 - present
Publications
Publications (8)
Fundação para a Ciência e Tecnologia Ministério da Ciência e do Ensino Superior (Portugal) ccaires@wanadoo.fr Résumé Dans ce texte, je présente de façon sommaire un logiciel de Composition assistée par Ordinateur écrit avec l'environnement de programmation et de traitement de signal MAX-MSP [Zicarelli 1998]. Ce logiciel, que j'ai nommé provisoireme...
Micromontage technique allows the composer to work a musical figure point by point, shaping each sound particle with microscopic precision. The software presented in this paper combines graphic and script editing with algorithmic generation and manipulation of sound sequences. It provides several tools to enhance both creation and organic developme...
The main goal of this article is to discuss new ways of approaching and presenting research on musical performance. Through creative and systematic musical activity, and departing from the application or incorporation of new knowledge (for example in terms
of interpretation, historically informed performative practice or technical innovation), it i...
POLIFONIA RESEARCH WORKING GROUP, 2010
All authors were members of the Research Working Group of the second cycle of the ERASMUS Network for Music Polifonia. The Polifonia network, a partnership of more than 60 organisations in professional music training and the music profession in 30 European countries, was coordinated jointly by the Royal Colleg...
O principal objectivo deste volume é o de contribuir para a discussão em torno de novas formas de abordar e apresentar a investigação sobre a performance musical. Através de uma atividade musical criativa e sistemática, e partindo da aplicação ou incorporação de novos conhecimentos (por exemplo, em termos de interpretação, prática performativa hist...
Carlos CAIRES
Escola Superior de Musica de Lisboa
CESEM - Centro de Estudos de Sociologia e Estética Musical
IMMERSUS presentation | 19/20 Feb 16h00@ LisboaIncomun
http://www.festival-dme.org/2022/01/festival-imersivo-2022.html
Immersus, or “YAFS” (yet another free spatialiser), is a MAXMSP patch initially designed for the ESML 16-channel dome (i...
Neste artigo, discuto a origem do software de micromontagem IRIN à luz da minha experiência prévia no domínio da composição instrumental e mista. São apresentados vários exemplos de como a pratica de composição e o desenvolvimento informático se influenciaram mutuamente ao longo de vários anos, bem como os resultados mais importantes do software em...
La pièce Quattro est une commande de l’Orchestre symphonique de la RAI et du Centre Tempo Reale, dont la première a eu lieu à Turin en janvier 2005 par les percussionnistes de l’Orchestre de la RAI. Elle est la première pièce à intégrer des matériaux entièrement produits avec le logiciel IRIN, sous une nouvelle perspective : celle du temps réel. Ét...
