Caitlin Vincent

Caitlin Vincent
University of Melbourne | MSD · School of Culture and Communication

Doctor of Philosophy

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10
Publications
2,122
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35
Citations

Publications

Publications (10)
Article
Purpose This paper examines the US opera sector as a means for interrogating how varying forms of non-standard work shape gender inequality in the creative industries. Design/methodology/approach The authors draw on 16 seasons of opera production data from Operabase.com to conduct a gender-based exploratory data analysis of the key creative roles...
Article
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Prestige is widely considered to positively influence the careers of artists, and the Venice Biennale is arguably the most prestigious event in the international visual arts calendar. This article examines the impact that appearing in the Venice Biennale has on artists’ careers. With a sample of 98 artists from six countries who participated in the...
Article
Despite an international focus on gender inequality in the cultural and creative industries in recent years, there remains a lacuna of empirical data on the gendered dimension of work in opera. This paper establishes a baseline for understanding gender inequality in opera through a case study of The Royal Opera, Covent Garden. Drawing on a longitud...
Article
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Precarious employment and unpaid labour are common features of the cultural and creative industries. While existing literature highlights the benefit of professional development in building careers, it focuses on self-driven rather than formalised activities. Social capital and social disadvantage are recognised as major factors limiting career suc...
Article
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In the past few years, foreign policy tensions between China and Australia have become especially fraught. In some cases, this political situation manifests in the very diplomatic initiatives that were funded to help ease relations. This article considers a case study of a theatrical collaboration in the context of contemporary Australia–China rela...
Article
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Digital technology can be used as a scenographic tool to project visual settings in the theatrical space. However, digital scenography that incorporates "faux-interactivity," or the illusion of a causal relationship between live performers and digital elements, can also serve as a form of notation that digitally preserves the physical movement of l...
Article
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Over the past decade, there has been a substantive increase in the number of theatrical productions that utilise digital scenography. Whether in dance, theatre or opera, these works encounter a number of artistic and technical challenges, as well as scrutiny from those who consider digital effects as interfering with live performers in the context...
Chapter
A ‘spin-off’ in the context of publishing and broadcast media is well understood, as is the acknowledgement that each generation of artwork can inspire, generate, or ‘spawn’ the next. Embedded in the discussion about ‘artwork-spawning-artwork’ is a concern that any new creation might be a lesser dilution of its parent artwork. However, the process...
Article
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Interactivity – a networked loop in which a performer’s live data feeds a digital system – can bridge the divide between live performance and digital entities in transmedia dance performances. In the ‘entanglement scene’ of Australian Dance Theatre’s Multiverse (2014), choreographer Garry Stewart and the creative coders and animators at the Deakin...

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