Bruno Caldas Vianna

New York University | NYU · Tisch School of the Arts

Two interactive, non-linear, fictional, movie theater projects are described. The first, Ressaca, was released in 2008. A live-editing interface sits between the audience and the main screen. It is usually manipulated by the director, who creates a new improvised ordering of the sequences in each screening. The second one, Dispersão, was not yet la...

This paper depicts a dialogue between art and technology, by examining coincidences and differences between artworks and inventions, their conditions and stakes. By examining these categories through the same lenses, this approach hopes to build bridges between the two, or even propose that they stop being seen as separate institutions. The text st...

This article uses the exhibition “Infinite Skulls”, which happened in Paris in the beginning of 2019, as a starting point to discuss art created by artificial intelligence and, by extension, unique pieces of art generated by algorithms. We detail the development of DCGAN, the deep learning neural network used in the show, from its cybernetics origi...