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Publications (52)
En “De Euzkadi a Euskadi”, un breve ensayo incluido al final de la traducción castellana de su novela Gizona bere bakardadean, El hombre solo (1993), Bernardo Atxaga declara que, al igual que “muchos otros escritores, [acostumbra] a trabajar con dos cuadernos sobre la mesa” (s.n. [449]). En uno de los cuadernos anota “aquello que tiene que ver con...
Cambridge Core - Latin American Studies - The Cambridge Companion to Latin American Poetry - edited by Stephen M. Hart
Paradisos oceànics (1930) and El Marroc sensual i fanàtic (1936), Aurora Bertrana’s two most important texts, are marked by an irony that is characteristic of Western colonialist –and anti-colonialist– production. This irony, at once situational and narratological, thrives on an intricate interplay of positions and persons in which the extension of...
Focusing on two documentary films by Patricio Guzmán, Chile, Obstinate Memory (1997) and, especially, Nostalgia of the Light (2010), this paper examines some of the relations between neoliberal violence (during and after the Pinochet dictatorship), memory, knowledge and emotionality, both historical and personal. It does so by reading and reviewing...
Focusing on two documentary films by Patricio Guzmán, $\textit{Chile, Obstinate Memory}$ (1997) and, especially, $\textit{Nostalgia of the Light}$ (2010), this paper examines some of the relations between neoliberal violence (during and after the Pinochet dictatorship), memory, knowledge and emotionality, both historical and personal. It does so by...
This article examines two works by Carmen de Burgos and Aurora Bertrana situated in Morocco En la guerra, from 1909, and El Marroc sensual i fanatic from 1936 in the light of three interrelated questions: gender, nationality and coloniality, the first two admirably studied by Roberta Johnson. It contends that the progressive feminist endeavours of...
A través de dos películas de Patricio Guzmán, Chile, la memoria obstinada; (1997) y Nostalgia de la luz (2010), se examinan algunas de las relaciones en Chile entre la violencia neoliberal (dictatorial y postdictorial), la memoria, el saber y la emotividad, en su doble vertiente histórica y personal. Junto a las historias y experiencias de un grupo...
Celluloid-based films;Disappearance;Experimental shorts;Filmstrips;Flicker fusion threshold;Materiality;Postfilmic cinema;Vampire space
Other Voices, Other Scripts: Language, Imagery, and Censorship Spectacular (Dis)locations: Art, Business, and Morality Troubled Transitions: The “Talkies,” the Republic, the Civil War, the Dictatorship, and Beyond
For Albert Pallares, in memoriam This article examines the force and function of medical and literary historical typologies in four Catalan novels in which illness figures prominently: Narcís Oller's La bogeria (1899), Miquel de Palol's Camí de llum. Narracions d'un crepuscle (1909), Blai Bonet's El mar (1958), and Maria-Antònia Oliver's Tallats de...
Brad Epps is Professor of Romance Literatures at Harvard University. He is the author of Significant Violence: Oppression and Resistance in the Narrative of Juan Goytisolo (Oxford University Press, 1996) and is currently working on two book-length projects, one tentatively titled Daring to Write, on Homosexuality in Hispanic Culture, and another on...
In this review of the new English translation of Donato Ndongo's seminal work “Shadows of Your Black Memory,” Brad Epps explores the classic postcolonial contradiction of using the master's tongue to dismantle the master's discourse—a project particularly fraught by Equatorial Guinea's position as the only Spanish-speaking country in Africa.
:In this review of the new English translation of Donato Ndongo's seminal work "Shadows of Your Black Memory," Brad Epps explores the classic postcolonial contradiction of using the master's tongue to dismantle the master's discourse—a project particularly fraught by Equatorial Guinea's position as the only Spanish-speaking country in Africa.
Retos y riesgos, pautas y promesas de la teoría queer
La pérennité des sexes et la pérennité des esclaves et des maîtres proviennent de la même croyance.
[The endurance of the sexes and the endurance of slaves and masters derive from the same belief.]
The whole is the truth, and the whole is false.
The essays here assembled, variegated in methodology, tone, and texture, are the fruit of a memorial con...
The death, after a protracted agony, of Francisco Franco on 20 November 1975 has left its mark on Spanish historiography. The mark may be indelible, but it remains contentious. Many have attempted to ignore or eschew the death, the dictator, and the date as so many attributes of a conception of history still in thrall to powerful people, famous pro...
Sometime during the 1960s, the mirror breaks for Spanish narrative. Such works as Luis Martín Santos's Tiempo de silencio (Time of Silence, 1962), Juan Goytisolo's Señas de identidad (Marks of Identity, 1966), Miguel Delibes's Cinco horas con Mario ('Five Hours with Mario', 1966), José María Guelbenzu's El mercurio ('Mercury', 1968), Camilo José Ce...
Brad Epps is Professor of Romance Languages and Literatures at Harvard University. He has published over fifty articles on modern literature, film, art, and architecture from Spain, Latin America, Catalonia, and France and is the author of Significant Violence: Oppression and Resistance in the Narratives of Juan Goytisolo (Oxford UP). He is current...
Brad Epps is a Professor of Romance Languages and Literatures at Harvard University. He has published over fifty articles on modern literature, film, art, and architecture from Spain, Latin America, Catalonia, and France and is the author of Significant Violence: Oppression and Resistance in the Narratives of Juan Goytisolo (Oxford UP, 1996). He is...
1. The conference in question was titled "Hispanic Studies and Postmodernist Theories" and was held at the Institute of Romance Studies, University of London, on June 4, 1999. Tellingly, several of the presentations deployed Butler's theories in a prominent manner; one even incorporated Butler's name in its title. The paper I presented, and on whic...
Partint dels principals condicionants polítics i econòmics que indiscutiblement
són la base del projecte de Cerdà, aquest article introdueix algunes pinzellades
del pensament i utopisme que influïren Ildefons Cerdà en la concepció
de l'Eixample. La visió moderna de la ciutat i els canvis tecnològics que
tingueren lloc a l'Europa del segle XIX influ...
