
Ángel Luis Luján AtienzaUniversity of Castilla-La Mancha · Filología Hispánica y Clásica
Ángel Luis Luján Atienza
Doctor en Filología Hispánica
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46
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Citations since 2017
Introduction
Skills and Expertise
Publications
Publications (46)
El trabajo se presenta como un modelo didáctico para mejorar la comprensión de la poesía en Educación Secundaria a partir del análisis de letras de canciones como textos líricos. Para ello se ha elegido la canción de «La Llorona» en diversas versiones interpretadas por artistas del gusto del público adolescente, y se propone su análisis a través de...
This paper explores Julieta Valero's poetry as a discourse that eludes direct referentiality to construct the poem as a space for freedom and for the investigation of identity. The strategies the poet uses for this: periphrasis, adversative constructions and metonymic displacements are analyzed and put in relation to metapoetry as a way of creating...
Children’s folk lyrical poetry was used as a medium of instruction to remedy illiteracy in 1930s and 1940s Spain. Two of the songbooks employed were Canciones infantiles by Maria Rodrigo and Elena Fortun and Poesía infantil recitable by Jose Luis Sanchez Trincado and Rafael Olivares Figueroa. The compilation and fixing of this songbooks have a subv...
This paper proposes the application of some of the analytical instruments
developed in cognitive studies to poetic discourse as a preliminary step for
a global treatment of poetry based on the principle of relevance. The lack of
contributions of this type in the Hispanic field makes this exploration more
important. This application has been structu...
El trabajo se centra en las técnicas de la poesía popular usadas por Rejano en su libro escrito en el exilio mexicano
Este trabajo pretende estudiar los rasgos conversacionales de la poe-sía de Félix Grande a partir de dos bases teóricas: la poética de Wordsworth y la reflexión de Roberto Fernández Retamar; y de la práctica lírica de S. T. Coleridge. En todos estos casos la " poesía conversacional " se presenta como salida a una crisis de los lenguajes poéticos de...
The aim of this paper is to explain the reasons for Juan Rejano to have removed his book Canciones de la paz ( Songs for the Peace , 1955) from his first almost complete poems collection, Alas de tierra ( Wings of Earth , 1975), and to modify it in his last «collected poems», La mirada del hombre ( The Man’s Sight , 1978). In this paper, the circum...
La poesía infantil no ha sido muy estudiada en su nivel métrico. Este trabajo propone un primer acercamiento a la caracterización métrica y rítmica de la poesía escrita para niños en España en las últimas décadas. A partir del estudio de ciertos rasgos con respecto al uso de la rima, la medida de versos y los agrupamientos estrófi cos se llega a la...
Lorenzo Palmireno (1524-1579), professor of rhetoric at the University of Valencia, plays a main part in the controversy of Spanish Ciceronianism. On the one hand, his Ciceronian position leads him to appreciate literature in vernacular language and, on the other hand, to consider vernacular style as low and witty in contrast with Latin literature’...
Lorenzo Palmireno (1524-1579), professor of rhetoric at the University of Valencia, plays a main part in the controversy of Spanish Ciceronianism. On the one hand, his Ciceronian position leads him to appreciate literature in vernacular language and, on the other hand, to consider vernacular style as low and witty in contrast with Latin literature'...
Guía metodológica para el análisis de la poesía, basada en los presupuestos de la estilística y los métodos y perspectivas tanto de la lingüística como de la teoría de la literatura.
Esta tesis se incluye en un programa de investigación cuyo objetivo es realizar un análisis detallado del corpus retórico español del siglo XVI. Para el presente trabajo se han seleccionado seis autores valencianos, autores de retórica y profesores de universidad: Fadrique Furio Ceriol, Andrés Sempere, Juan Lorenzo Palmireno, Vicente Blas García, P...
Casi todos los críticos que se han acercado al poema Espacio, de Juan Ramón Jiménez, han coincidido en considerarlo un poema en prosa cuyo origen es la prosifi cación de un texto en verso libre. El presente trabajo pretende demostrar que las versiones originales de Espacio no eran verso libre y que existen indicios de que Juan Ramón quería conserva...
Este artículo se plantea, a partir del estudio de la métrica del primer libro de Pablo Neruda, Crepusculario, y el exhaustivo repertorio de formas métricas empleadas en él un doble objetivo. Por una parte, se constata, como aportación a la historia de la literatura del Post-modernismo hispanoamericano, la tendencia del primer Neruda a experimentar...
Reading Espacio, by Juan Ramón Jiménez, in the light of the cognitive theory of conceptual
metaphors and conceptual blending, and the philosophy of Martin Heidegger,
shows two contradictory movements in the poem: that of the flight and that of the search
of a center, which can be related to two reading paths and two trends in contemporary
hermeneut...
Two Perromachias were published in Spain in the 18th Century: one by Francisco Nieto Molina (1765), the other by Juan Pisón y Vargas (1786). These mock-epic poems linked with the fable have been forgotten by critics. This paper focuses on Pisón y Vargas’ work and provides new information about his life. His Perromachia, written in eight silvas, tak...
This paper focuses on a metrical element in Spanish poetry that has received little attention by critics, in spite of its
frequent presence in 20th century poets. What I propose to call “antibraquistiquio”, according to Antonio Quilis’ terminology
(Estructura del encabalgamiento en la métrica española: contribución a su estudio experimental. Instit...
This paper calls the identity of lyrical poetry as literary genre into question, starting from a study of the circumstantial poetry. Firstly, an analysis of the first courtly sonnet by Góngora: «A Don Cristóbal de Mora» (1593) shows that the poem is at the same time a literary discourse and a pragmatic one (in order to get the noble's favour). Seco...
This paper deals with the problems that arise from the consideration of «subject» as the element that unifies text meaning in poetry. The author suggest the replacement of this purely semantic category with a pragmatic one that allows to consider the poetic effects of the poem. This «rhetorical» way of reading is illustrated with the teories about...
The refrain is usually defi ned as the regular
repetition of the same expression, the theme of the text, at
the end of each stanza in a poetical work. This defi nition
becomes problematic when applied to 20th century poetry.
This paper deals with these diffi culties in two ways.
On the one hand, a semiotic model that takes into account
features of...
This paper is a proposal of a reading of Juan Ramón Jiménez¿s poetry starting from Diario de un poeta reciencasado (1917) based on the conceptual metaphor of "escape" (fuga in the poet¿s words). So, the conceptual metaphor, a main topic in cognitive semantics, is presented as a useful tool in order to explain not only the process of reading a text...
This paper is a proposal of a reading of Juan Ramón Jiménez's poetry starting from Diario de un poeta reciencasado (1917) based on the conceptual metaphor of "escape" (fuga in the poet's words). So, the conceptual metaphor, a main topic in cognitive semantics, is presented as a useful tool in order to explain not only the process of reading a text...
La poesía es el género literario más problemático cuando se trata de establecer sus relaciones con el mundo. Desde la famosa afirmación de Archibald Macleish de que un poema no significa sino que es, o el minucioso análisis de estructuras lingüísticas que llevaron a cabo Jakobson y Levi-Strauss con el soneto de Baudelaire, pocas veces se ha pregunt...
This paper intends to be a survey of the cognitive science applied to literary studies, specifically to poetry. Cognitive science has been developed in the English linguistic area and this paper is an attempt to introduce this view in the Hispanic area. In my view, it is necessary to include the literary analysis in the general field of the cogniti...
Como han demostrado los estudios cognitivos, nuestro mundo conceptual está casi por entero construido sobre metáforas e imágenes 1 . Para comprender fenómenos abstractos, que no tienen un correlato perceptivo o sensorio-motor, la mente recurre a la analogía con procesos de percepción básicos. Así, por ejemplo, los estados de ánimo y los sentimiento...
This paper intends to be a survey of the cognitive science applied to literary studies, specifically to poetry. Cognitive science has been developed in the English linguistic area and this paper is an attempt to introduce this view in the Hispanic area. In my view, it is necessary to include the literary analysis in the general field of the cogniti...
This paper intends to be a survey of the cognitive science applied to literary studies, specifically to poetry. Cognitive science has been developed in the English linguistic area and this paper is an attempt to introduce this view in the Hispanic area. In my view, it is necessary to include the literary analysis in the general field of the cogniti...
El artículo se centra en la descripción de lo que Fernando de Herrera entiende por estilo «afetuoso» en sus Anotaciones a. la poesía de Garcilaso. Para ello se lleva a cabo una revisión de la teoría de los «afectos» en la retórica clásica, y en especial en la tradición hermogeneana que sirve de fuente directa a Herrera. La relación del estilo «afet...
This paper deals with the devices put into practice by Juan Ramón Jiménez in Arias Tristes (1903) in order to avoid conventional communication (included conventional communication in poetry). The author considers poetry as a kind of communication (Käte Hamburger), and therefore he explains these apparent failures in communication as an attempt to p...
This paper deals with the problems that arise from the consideration of 'subject' as the element that unifies text meaning in poetry. The author suggest the replacement of this purely semantic category with a pragmatic one that allows to consider the poetic effects of the poem. This 'rhetorical' way od reading is illustrated with the theories about...
The current literary theory, as a rule, regards every poem as a fictive utterance shaped by imitation of a standard or of an imaginary speech. This article explains the problems which arise when either view is applied to practical criticism, and it also shows the dificulty in deciding the fictionality of a concrete utterance regardless of its conte...
Projects
Projects (2)
La censura, en la forma en que se ejerza, es un mecanismo de represión, persecución o coacción que ejecutan las instancias que ostentan el poder, casi siempre con la finalidad de combatir las discrepancias ideológicas y de controlar las actuaciones y los pensamientos de la sociedad.
En el caso de la LIJ, que a menudo se ha utilizado como un poderoso elemento de ideologización, este control ha sido, si cabe, más llamativo.