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Allan Christian Domingues Souza

Allan Christian Domingues Souza
The University of São Paulo-USP

Doctor of Music (PhD)

About

15
Publications
504
Reads
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3
Citations
Citations since 2016
12 Research Items
3 Citations
20162017201820192020202120220246810
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20162017201820192020202120220246810
Introduction
Director and Coordinator at "Department of Neuroscience and Mind Studies-DNEM-ICBS" at Benhoblô University. Guinea Bissau. Collaborator Professor of Music, Collaborator Researcher and Postdoc at The University of São Paulo ECA-USP. Conductor, composer and multi-instrumentalist. Director of Aurora Sonoris International. ORCID ID: https://orcid.org/0000-0002-8642-4714
Additional affiliations
August 2022 - present
Benhoblô University
Position
  • Director and Coordinator
Description
  • Founder, Director, Coordinator, resesrcher and Professor at "Department of Neuroscience and Mind Studies-DNEM" of "Institute of Biological Sciences and Health--ICBS" of Benhoblô University. Founder of Undergraduate Reserch Program.
January 2020 - present
University of São Paulo
Position
  • PostDoc Position
January 2012 - December 2012
Faculdade de São Paulo-UNIESP-IESP
Position
  • Professor
Description
  • Ear Training I Ear Training II Choir Practice I Choir Practice II Music Theory I Music Theory II History of Music I History of music II Conducting I Conducting II
Education
January 2020 - December 2021
University of São Paulo
Field of study
  • Music
March 2015 - March 2019
São Paulo State University
Field of study
  • Music
March 2012 - July 2014
São Paulo State University
Field of study
  • Music

Publications

Publications (15)
Thesis
Full-text available
"The triple historical-technical confluence in the concept of micropolyphony by György Ligeti (1957-1967): the conception of a hybrid technomorphic stylema” has as its starting point the discussions in "Historical-technical confluences in the concept of micropoliyphony (1956-1966)" (SOUZA, 2014). Due the confirmation of the influence of the coun...
Thesis
After his departure from Hungary in 1956, Ligeti remained for about two months in Vienna and then settled in Cologne. In this moment, he was immersed in the avant-garde thought in vogue among the composers of the Darmstadt and Cologne school. While in Cologne, Ligeti deeply immersed in the precepts inherent in both electronic and serial model. Afte...
Thesis
"The threefold historical-technical confluence in the concept of micropolyphony by György Ligeti (1957-1967): the conception of a hybrid technomorphic stylema” has as its starting point the discussions in "Historical-technical confluences in the concept of micropoliyphony (1956-1966)" (SOUZA, 2014). Due the confirmation of the influence of the coun...
Research Proposal
Full-text available
A presente proposta de pesquisa oferece uma investigação dos limites técnicos, conceituais e composicionais do modelo micropolifônico - sob a ótica da tríplice confluência (SOUZA, 2019). Esta pesquisa teve início em fevereiro de 2012 em nível de mestrado (IA-Unesp, 2014), posteriormente em nível de doutorado (IA-Unesp, 2019) e, nesta ocasião, é...
Article
Full-text available
Em meio às inúmeras-e cada vez mais recorrentes-polêmicas acerca do conceito de Arte em nossa história recente, resta-nos, para o presente momento, a reflexão. A violência com que manifestações ideológicas-sejam estas de cunho político, religioso etc.-desferidas sob a alcunha de "obras de arte" têm atingido a sociedade em dias atuais não passa desp...
Thesis
Full-text available
After his departure from Hungary in 1956, Ligeti remained for about two months in Vienna and then settled in Cologne. In this moment, he was immersed in the avant-garde thought in vogue among the composers of the Darmstadt and Cologne school. While in Cologne, Ligeti deeply immersed in the precepts inherent in both electronic and serial model. A...

Projects

Project (1)
Project
This research project aims to offer an investigation of the technical, conceptual and compositional limits of the micropolyphonic model - from the perspective of the triple confluence (SOUZA, 2019), to identify and explain the elements inherent to the micropolyphonic phenomenon that conceptually, technically and compositionally delimit the micropolyphonic model; offering a technical and conceptual definition of the micropolyphonic model.