Existe una traducción completa al español de la Geografía física de Kant?

I am currently studying the art of Barnett Newman and his theories upon Nietzsche's Birth of Tragedy in his artwork. Do you think that there should initially be a justification to tragedy being found in the visual arts? Nietzsche believed that tragedy was born out of music. How would you go about justifying that the visual arts can also produce tragedy? Are there any contemporary philosophers that have written upon the subject and attempted explanation?

I am currently writing my dissertation an in need of some resources and answers. I am looking for information of the development of musical theatre choreography (is modern musical theatre more technically and physically demanding?), does modern musical theatre OR dance cause more injury than in the past and do audiences have different expectations of dance or musical theatre dance? Any help, even if only remotely related, would be great!

To my surprise I am failing to find a full-length biography, or something similar, of Salvador de Madariaga, a Spanish liberal intellectual, politician and, above all, diplomat and one of the most respected small power representatives in the League of Nations.

Spanish Wikipedia entry provides quite a thorough bibliographical list and I was able to find studies of interest here. But it still appears to me that a complex canvass of de Madariaga is missing.

If my impression is right, I could definitely think about this as a thrilling research project - if only my Spanish skills were considerably better...

Any reading recommendations are welcome1

The current Metropolitan Opera production (Feb. 2017) is Antonin Dvorak's Rusalka.  This opera contains what may be viewed as current events references. 

The Grove Dictionary of Music entry on rhetoric and music states that after the Baroque period, the rhetorical underpinnings of music were no longer studied.  But in the 20th C., such highlighted rhetoric in art music is causing a revival of interest.

QUOTE

What still remains to be fully explained is how these critical interrelationships often controlled the craft of composition. These developments are unclear partly because modern musicians and scholars are untrained in the rhetorical disciplines, which since the beginning of the 19th century have largely disappeared from most educational and philosophical system. It was only in the early 20th century that music historians rediscovered the importance of rhetoric as the basis of aesthetic and theoretical concepts in earlier music. An entire discipline that had once been the common property of every educated man has had to be rediscovered and reconstructed during the intervening decades, and only now is it beginning to be understood how much Western art music has depended on rhetorical concepts. ("Rhetoric and Music." Grove Dictionary of Music. Blake Wilson et al.)

UNQUOTE

Does anyone know of research that specifically analyzes the rhetorical aspects of modern era opera since Wagner to now?

Given that directors have much leeway in creating subtexts in classic and contemporary works, this is a topic that is open for more study.

I am not looking for stories abiout Shantala Devi. I need specific outlooks on dance in the temples.

Religious buildings decorated/covered with human bones are known from several countries in Europe (also elsewhere, but I'm focused currently in Europe), mostly dating from between the 16th and the 19th centuries.

I'm mainly looking for information from the fields of Art History, History and maybe Philosophy. Something on the relationship of these places with religious/political/social changes in society at that time.Connections with Franciscan churches and with the Counter-Reform would also be important.

Information on possible differences in the motivations behind the construction of such buildings in different areas of Europe would be great.

I'm looking for references besides Paul Koudounaris, given that I already know his work.

Many thanks!

My research focuses on the Alexander von Humboldt atlas pittoresque du voyage: "Vues des Cordillères". I am interested in the history and uses of "atlas", and how the concept "atlas" plus "pittoresque" set up a new way of travelling in an artistic manner in the nineteenth-century, encouraging the connection between artists and scientists.