Classical World

Published by Johns Hopkins University Press
Online ISSN: 1558-9234
Print ISSN: 0009-8418
Publications
This article highlights all known instances of individual deaf-mutes in antiquity, with special attention as to how their symptoms were described, which effects were emphasized, and in what context the cases were reported. Next, the Greek and Latin vocabulary to denote deaf-muteness will be examined. Then comparative anthropology, literary sources, papyri, inscriptions, and juridic cases are used to describe daily life conditions of deaf-mutes. As a conclusion, I suggest that misconceptions about the anatomy of deaf-muteness, combined with the focus on rhetoric, might have had an impact on the lives of the deaf-mutes and the approach towards these people, at lest in certain social environments.
 
When Ovid was banished to Tomis by the Black Sea he considered his exile a living death. He understood his exile as an expulsion from the known world (Rome) to an unknown world (Tomis) on the other side of the boundary of what was familiar to him. Like death, Tomis, in all its exteriority beyond the boundary of the known world, was unknown and unknowable for Ovid. I shall also identify two features of Roman culture which help to explain the association of exile with death: the archaic religious background of exile and the legal history of exile.
 
In his Histories, Herodotus uses the mule as a symbol of both potential advantages and risks of intermarriage and reproduction between different ethnic groups. Both literal mules and the children of mixed marriages are symbols of revolutions and new dynasties. These revolutions are often marked by an attempt to blend or conglomerate distinct cultural nomoi, or customs. Herodotus' stories about ethnically mixed leaders and their effects upon their societies serve as both encouragement and warning to governments like Athens and the Persian Empire.
 
The strange behavior of emperor Gaius has been the subject of debate for many historians. Some charge him with madness and attribute it to his illness in A.D. 37, whereas others believe it occurred later, or else had nothing to do with his sickness.We have no real evidence to reconstruct his mental state. Therefore speculations about madness are fruitless, as they can't be proven. Also, his madness belongs to a discourse which originates mainly from the senatorial narrative that sought to discredit him through any means possible. Thus, his acts should be seen from other angles, and the search for "mad Caligula" abandoned.
 
Pliny the Elder's account of Cleopatra consuming a cocktail of vinegar and a pearl in order to win a bet with Antony was considered credible in the ancient world, but many modern scholars have relegated the anecdote to the realm of fantasy. This paper identifies possible reasons for this skepticism, including the visual tradition of the story and the belief that increasing concentration always increases reaction rate. Experiments reveal that, in the case of acetic acid and pearls, the concentration found in vinegar made from wine is ideal.
 
This paper begins with a review of Roman grain market policies. It is argued that policies such as forced sales and maximum prices made urban consumers hesitant to rely on the market for secure access to grain. Consequently, consumers hoarded grain in their homes. The hoarded grain formed a volatile fuel ready to be ignited by the arrival of the bubonic plague bacillus. This scenario fits events in the city of Rome under Commodus. Attested grain market interventions were followed by a severe epidemic, arguably bubonic plague, which decimated the city's population.
 
This book by the author of The Economy of the Roman Empire: Quantitative Studies considers important interlocking themes. Did the Roman Empire have a single ‘national’ economy, or was its economy localised and fragmented? Can coin and pottery survivals demonstrate the importance of long-distance trade? How fast did essential news travel by sea, and what does that imply about Mediterranean sailing-patterns? Further subjects considered include taxation, commodity-prices, demography, and army pay and manpower. The book is very wide-ranging in its geographical coverage and in the evidence that it explores. By analysing specific features of the economy the contrasting discussions examine important questions about its character and limitations, and about how surviving evidence should be interpreted. The book throws new and significant light on the economic life of Europe and the Mediterranean in antiquity, and will be valuable to ancient historians and students of European economic history.
 
Considering Sappho as a creature of translation and interpretation, a figment whose features have changed with social mores and aesthetics, Joan DeJean constructs a fascinating history of the sexual politics of literary reception. The association of Sappho with female homosexuality has made her a particularly compelling and yet problematic subject of literary speculation; and in the responses of different cultures to the challenge the poet presents, DeJean finds evidence of the standards imposed on female sexuality through the ages. She focuses largely though not exclusively on the French tradition, where the Sapphic presence is especially pervasive. Tracing re-creations of Sappho through translation and fiction from the mid-sixteenth century to the period just prior to World War II, DeJean shows how these renderings reflect the fantasies and anxieties of each writer as well as the mentalité of his or her day.
 
Thesis--Uppsala. Includes bibliographical references.
 
Erschien vollständ. als Diss. u.d.T.: Sattler, Peter: Caesar Augustus u. seine Gegner im Inneren. Heidelberg 1955.
 
Continuation of a literary review of books and articles on satire in Roman literature (the 51st in the "Classical World surveys). The initial phase of the review appeared in "Classical World, February 1970, pages 181-199. (DS)
 
List of textbooks in Greek and Latin for 1975. Subject, title, publisher and price are noted. Greek and Latin works are listed separately under the eight categories of texts, beginner's books, grammars, books about the language, readers and anthologies, composition, dictionaries, and New Testament Greek and Later Latin. (RM)
 
Hans J. Nissen here provides a much-needed overview of 7000 years of development in the ancient Near East from the beginning of settled life to the formation of the first regional states. His approach to the study of Mesopotamian civilization differs markedly from conventional orientations, which impose a sharp division between prehistoric and historic, literate, periods. Nissen argues that this approach is too rigid to explain the actual development of that civilization. He deemphasizes the invention of writing as a turning point, viewing it as simply one more phase in the evolution of social complexity and as the result of specific social, economic, and political factors. With a unique combination of material culture analysis written data, Nissan traces the emergence of the earliest isolated settlements, the growth of a network of towns, the emergence of city states, and finally the appearance of territorial states. From his synthesis of the prehistoric and literate periods comes a unified picture of the development of Mesopotamian economy, society, and culture. Lavishly illustrated, The Early History of the Ancient Near East, 9000-2000 B.C. is an authoritative work by one of the most insightful observers of the evolution and character of Mesopotamian civilization.
 
This volume is a successor to the second volume of M. N. Tod's Selection of Greek Historical Inscriptions (OUP, 1948). It provides an up-to-date selection - with introduction, Greek texts, English translations, and commentaries which cater for the needs of today's students - of inscriptions which are important for the study of Greek history in the fourth century BC. The texts chosen illuminate not only the mainstream of Greek political and military history, but also institutional, social, economic, and religious life. To emphasize the importance of inscriptions as physical objects, a number of photographs have been included.
 
Typewritten MS. Thesis (Ph.D.)--McGill University. Bibliography: leaves 283-294.
 
Includes bibliographical references. Supervisor: John Boardman. Thesis (D. Phil.)--University of Oxford, 1962.
 
Originally presented as the author's thesis, Münster, 1970. Includes bibliographical references (p. [xii]-xvi).
 
Surprisingly few gods appear in the eleven surviving comedies of Aristophanes. This article examines what roles the gods do play when they are present. It further argues that humans with divine attributes often appear in lieu of the gods themselves. These humans together with the handful of gods who are present fall into the broad functional categories of helpers and opponents of the comic protagonist. Thee gods' absence is to be attributed to an Aristophanic conception of human agency, namely that humans in comedy, especially when compared to tragedy, have extraordinary control of their lives. A god's presence would be too great a threat to comic inventiveness.
 
Breve panorama general de la filosofía griega que plantea tres momentos de su desarrollo: las doctrinas generadas por los filósofos presocráticos, las ideas principales de Platón y Aristóteles, y la expansión de la cultura griega con el helenismo.
 
In The Heart of Achilles, Graham Zanker addresses the task of reconstructing the ethical thought-world in which the characters of the Iliad live and move. It is only against this background, Zanker argues, that we can convincingly place the ethical status of the heroes and their actions. This in turn helps us to form a comprehensive view of the Iliad's characterization of its people, especially that of Achilles, by examining all his responses to the question of allegiance, the value of heroic prowess, and of life itself. "[Zanker] investigates altruistic behavior in the epic with professional sophistication but in a way that makes his investigation available to a wide audience from undergraduates to advanced scholars. . . . [A] very useful interpretative study." --Choice Graham Zanker is Senior Lecturer in Classics, University of Canterbury, New Zealand.
 
Beneath the cultural peaks of Ancient Greece lay the basic agricultural economy that made civilization possible. This book studies Greek country life from its earliest beginnings to the recent past, revealing a sequence of geological, geographical, cultural, and economic images spanning some 50,000 years of human settlement and land use.
 
Auch im Buchh. als: Indogermanische Bibliothek. Reihe. 3 Zürich, Phil. F. I, Diss.
 
Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. Vita. Typescript. Includes bibliographical references.
 
This commentary offers a rich introduction and useful guide to the seven surviving plays attributed to Aeschylus. Though it may profitably be used with any translation of Aeschylus, the commentary is based on the acclaimed Chicago translations, The Complete Greek Tragedies, edited by David Grene and Richmond Lattimore. James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law athletic contests, relations with neighboring states, beliefs about the underworld, and countless other details of Hellenic life. Hogan clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as are maps and illustrations, a bibliography, indexes, and extensive cross-references between the seven plays. Forthcoming volumes will cover the works of Sophocles and Euripides.
 
Thesis (Ph. D.)--University of Minnesota, 1957. Bibliography: leaves viii-x.
 
Auch im Buchh. bei: Haupt, Berlin. Bern, Phil.-hist. F., Diss.
 
Issued also as thesis, Mainz, 1965. Bibliography: p. [160]-164.
 
Contemporary productions on stage and film, and the development of theater studies, continue to draw new audiences to ancient Greek drama. With observations on all aspects of performance, this volume fills their need for a clear, concise account of what is known about the original conditions of such productions in the age of Pericles. Reexamining the surviving plays of Aeschylus, Sophocles, Euripides, and Aristophanes, Graham Ley here discusses acting technique, scenery, the power and range of the chorus, the use of theatrical space, and parody in their plays. In addition to photos of scenes from Greek vases that document theatrical performance, this new edition includes notes on ancient mime and puppetry and how to read Greek playtexts as scripts, as well as an updated bibliography. An ideal companion to The Complete Greek Tragedies, also published by the University of Chicago Press, Ley’s work is a concise and informative introduction to one of the great periods of world drama. "Anyone faced with Athenian tragedy or comedy for the first time, in or out of the classroom, would do well to start with A Short Introduction to Ancient Greek Theater."—Didaskalia
 
1st Publ, Repr Bibliogr. s. 235-249
 
These essays explain how satire can, and cannot, be used as a source for Roman social history: the possibilities and the limitations.
 
From appetizers to desserts, the rustic to the refined, here are more than two hundred recipes from ancient Rome tested and updated for today's tastes. With its intriguing sweet-sour flavor combinations, its lavish use of fresh herbs and fragrant spices, and its base in whole grains and fruits and vegetables, the cuisine of Rome will be a revelation to serious cooks ready to create new dishes in the spirit of an ancient culture.
 
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