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50 , to the right, is a

50 , to the right, is a

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Figure 1 50 , to the right, is a
Figure 1: Schoenberg Op. 25, Twelve-Tone Rows Divided into Tetrachords
Figure 2 51 , to the left, shows the
Figure 3 52 , to the left, shows the
+7 Figure 3: Pitch-Class Numbering of the Tetrachords in the Second System...
Serielle Weltanschauung und Serielle Musik: Serialism, War, and the Project of Modernity
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  • Jan 2018
A historical exploration of Serial developments in Musical Modernism as being in direct correlation with the world wars, experienced traumas, and the underlying narratives and ideals of the project of Modernity.

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Context 1
... determine a note's duration, the thirty-second note is multiplied by the numbers found in each row of the matrices. Here is the duration series of the original row: Figure 11: The note duration series of the original tone row. ...
Context 2
... of attack are designed in the exact same manner. Figure 16: The modes of attack as they are ordered for Piano I and Piano II. ...

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