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This article examines the narrative virtualities of pictorial representation in caricature. In accord with the concept of ‘aspectuality’, it departs from the example of the fixity of subjects in pictorial portraiture and highlights suggestions about the momentary states of things represented through such fixity. The article focuses on the morpholog...
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The author reviews the past-to-present academic literature on cartoon studies (mainly editorial and political cartoons), which reflects the functional crisis of the cartoon associated with the development of the media space and new challenges. Some of the main trends, taxonomies, and approaches to date in political cartoon research are shown, and s...
Studies about pombalism are permeated by paradoxes and very often present ideological caricatures. In this sense, it is necessary to revisit the historiography that addresses this period (1750-1777), looking at it from a critical perspective. Therefore, this paper, which deals specifically with public instruction, aims to analyze the representation...
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Citations
... The purpose of this study is to explain and analyze caricature artworks in the 2017 edition of SuaraMerdeka newspaper that have relevance to the value of education in the community, so that the kariktur artworks can entertain the public because of the presentation of funny pictures, enough to contain humorous content, in accordance with Benjamin's research Picado [3], which focuses the morphology of humor in caricatures, distinguishes visual forms that discuss the relationship between the style of caricature stylist and laughter poetry. ...
... Nous montrerons ainsi que la reproductibilité itérative des disjonctions soutient l'hypothèse que le gag formerait une sorte de « chapitre » qui serait propre aux genres comiques véhiculés par la presse quotidienne. Enfin, nous proposerons de considérer la bande dessinée humoristique comme un cas exemplaire d'un phénomène plus général mettant en lumière les potentialités ou « virtualités narratives » des arts graphiques et de la caricature (Picado 2016 (2008), la notion de « chapitre narratif » repose sur un modèle conceptuel de structuration épisodique des segments narratifs, qui a été consolidé, en littérature, durant la période classique. Si l'on se base sur cette définition, il est dès lors possible de comparer la segmentation d'une bande dessinée publiée en épisodes avec le chapitrage romanesque. ...
This article proposes an elementary structure of graphic humour, departing from the examination of its more constant narrative schemes. From the visual gags of daily newspapers, we identify the most frequent themes of graphic humour, all of a disjunctive and iterative nature. The article will also examine aspects of a mutation in narrative and graphic universes of visual humour, comparing the canon of the daily comics with the new inflections found in this segment of the laughter genres.
