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The worshippers’ different postures and their orientation in relation to the Imam in the two religious modes, ͑ a ͒ sections showing congregations listening to the Friday speech ͑ i.e., the preaching mode ͒ and performing Daily individual or group prayer ͑ i.e., the prayer-performing mode ͒ , and ͑ b ͒ a top-view plan showing the source–receiver path ͑ i.e., Imam worshippers ͒ in group prayer performing.
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The study of mosque acoustics, with regard to acoustical characteristics, sound quality for speech intelligibility, and other applicable acoustic criteria, has been largely neglected. In this study a background as to why mosques are designed as they are and how mosque design is influenced by worship considerations is given. In the study the acousti...
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... the first mosque built in Al-Madinah Al- Monawarah city, Saudi Arabia formed the model for subsequent mosques throughout the Islamic world 13 in its combination of basic elements. It was a simple rectangular, walled enclosure with a roofed prayer hall. The long side of the rectangle is oriented toward the direction of the holy mosque in Makkah city. This wall is usually described as the qibla wall. The wall contains a recess in its center in the form of a wall niche called the mihrab . This wall also includes the minbar which is commonly an elevated floor, to the right of the mihrab , from which the Imam preaches or delivers the Friday sermon, the khutba . These basic elements are the essentials of mosque design in Saudi Arabia, as they are elsewhere in the Islamic world. Figure 1 illustrates the plan and isometric of a simple, typical mosque design. The basic design elements are emphasized. Since the construction of the first mosque, the functions of every mosque have remained unchanged. However, the mosque architectural form, space, construction system, and building materials have evolved and developed to a significant and variable extent in different parts of the Islamic world, influenced by many factors men- tioned elsewhere. 13,14 The mosque design is mainly influenced by worship considerations. Worship in a mosque consists of two major modes. The first mode, namely the prayer mode , involves performing prayers either individually or in a group, as reli- giously prescribed. Group prayer must be performed with worshippers standing, bowing, prostrating, or sitting behind the Imam , on the same floor level, aligned in rows parallel to the qibla wall with distances around 1.2 m apart. The second mode is the preaching mode , where worshippers are directly seated on the floor in random rows listening to the Imam preaching or delivering the khutba while standing on the elevated minbar floor. The minbar floor height varies from one mosque to the other but usually is in the range of one to three meters above the mosque floor. Figure 2 shows the worshippers’ different postures and their orientation in relation to the Imam while performing the two different religious activities in the mosque. The congregational capacity of the mosque is usually determined by the floor area divided by the area required for a worshipper to perform the prayer, i.e., approximately 0.80 ϫ 1.2 ϭ 0.96 m 2 . While, in general, traditional mosques can be classified according to their architectural form and configuration, contemporary mosques may be broadly classified according to their size and location in relation to the community. 14,15 Large mosques are located in large cities as public landmarks. They are usually built by the government expressing the state’s commitment to Islam. They are generally grand in size and of large congregational capacity. Community mosques i.e., Jamma mosques, where Friday prayer, pre- ceded by Friday speech, can be performed ͒ are distributed throughout urban and rural communities and may house additional functions ͑ e.g., a library, meeting rooms, clinic, etc. ͒ , in addition to the prime function of a space for performing prayers. They are usually utilized for both daily prayers as well as the Friday prayer and occasionally are supplemented with a separate annex on the same floor level or in a mezza- nine floor for female worshippers. Small local mosques are located in small neighborhoods, and are of modest dimensions and congregational capacity. The planning and design guidelines for the above three types of mosque are available in Ref. 15. In Saudi Arabia, many prototypes of mosque design exist. 16 Mosques are built in various sizes ranging from small and medium to large types. They are usually typical in lay- out, shape, construction system, and building material, but with different types of air conditioning and electroacoustic sound systems. From a field survey of 90 mosques, it was observed from site visits, design drawings, and ‘‘as built’’ sketches that mosques are fairly similar with respect to their construction systems. They are commonly constructed of re- inforced concrete skeletal structures with flat roofs. The flat roof is commonly supported on columns that are arranged on a regular grid ͑ i.e., structural unit ͒ . A dome is sometimes constructed spanning the central part of the roof to eliminate intermediate columns. The shape represented by the aspect ratio ͑ i.e., the mosque length over width ͒ , and the floor area of each mosque type is mainly controlled by the size and proportion of the structural unit dimensions as well as the total number of units ͑ e.g., 5 ϫ 3 units ͒ . Interior materials of these typical contemporary mosques vary. Walls are mostly finished with reflecting materials such as painted plaster. They usually contain a wainscot, around 1.0 m high, made of marble tiles. The floor area is always covered with heavy carpet. Hard, painted concrete ceilings with simple to elabo- rate decorations are commonly used. Due to the harsh cli- matic conditions in most of Saudi Arabia’s regions, air- conditioners are virtually a necessity. Therefore, almost all types of mosques are equipped with either a central, or a split unit air-conditioning system or window-type unit, in concert with ceiling fans for air circulation. Electroacoustic SRS have also been implemented in mosques of all sizes to en- hance the listening conditions in the mosque space, particularly after the introduction of the air-conditioning systems and the anticipated subsequent increase of ambient noise in the mosque. Nowadays, numerous subjective attributes of the listening experience in enclosures can be described by the many available contemporary room-acoustic indicators. A comprehensive listing of these contemporary indicators, definitions, corresponding subjective attributes, and suggested tolerance range values can be found in Ref. 17. In mosques, the major acoustical concern is verbal communication. All activities in the mosque are dependent on speech audibility and intelligibility. Speech intelligibility ͑ SI ͒ is the percentage of speech material that is correctly identified by the average listener. The intelligibility of speech in rooms is related to both the speech signal-to-noise ratio and to the acoustic characteristics of the enclosure. That is, it can be influenced by the speech sound level, ambient background noise ͑ BN ͒ , and the reverberation time ͑ RT ͒ of the enclosure. Reverberation affects SI by affecting the early-to-late arriving sound energies. SI is directly related to the early-to-late energy fraction, namely sound definition. In summary, in order to measure or predict speech intelligibility, various objective-based measures can be used. Definition (D 50 ) which is related to sound clarity (C 50 ), useful-to-detrimental sound ratios ͑ e.g., SNR 95 , 18 U 50 , and U 8019,20 ͒ , Speech transmission index ͑ STI ͒ , 21 rapid speech transmission index ͑ RASTI ͒ , 22,23 and the articulation loss of consonants ...
Citations
... The acoustical perception of the prayer hall affects users even more than their visual perception to feel the volume and the divine feeling during religious rituals (Abdelazeez, et al., 1991;Grabar, 1983). In this context, mosques are important subjects of literature on acoustics (Abdou, 2003;Carvalho andMonterio, 2009, Kayılı, 1988). Some studies on mosques focused on acoustic evaluations and comparisons in mosques (Elkhateeb and Ismail, 2007;Elkhateeb, et al., 2015;Ismail, 2013). ...
... In this context, some researchers focused on developing optimum value ranges of acoustic parameters and design criteria for mosque acoustics (Prodi and Marsilo, 2003;Orfali, 2007;Utami, 2005). In some studies, acoustic parameter values were analyzed for the mosque models with different plan schemes to draw attention to the effects of early design decisions on the acoustics of the environment for future mosque projects (Abdou, 2003;Eldien and Qahtani, 2012). Reverberation time, sound pressure level distribution and sound transmission index which have effects on speech intelligibility of volumes have been evaluated in some studies (Sü and Yılmazer, 2008;Suarez, et al., 2004). ...
The study aims to contribute acoustic characteristics of two monumental mosques in Western Anatolia: focusing on the change of material properties of the prayer hall and its effects on the perceived acoustical environment during history. Preserving the authentic auditory environments of historical mosques has great importance. Because the acoustical perception of the prayer hall affects users as much as their visual perception. Field measurements and acoustical simulations were held in two historical mosques with similar room volumes but different dome combinations to compare the present and probable original acoustical environments. The values of T30, EDT and STI are investigated by focusing on the change of plaster properties during restoration works. It is found that the original mortars could be differentiated for both cases and they might sound very different when the time they were first built. Acoustic documentation of such important historical monuments of Anatolia is quite a good contribution to the field of archaeoacoustics and historical conservation. However, the study focused on the change of material properties. The findings of the paper can raise the question; of whether it is possible to comment on the originality of materials of a historical space by measuring its current acoustical character.
... Effective wind-driven cross-ventilation requires a well-designed opening, such as a window, to allow sufficient exchange between indoor and outdoor air, especially when the building is surrounded by other buildings [7]. The study of mosque acoustics, concerning acoustical characteristics, sound quality for speech intelligibility, and other applicable acoustic criteria, has been neglected [8]. ...
... Several studies on particular architectural parameters/features that affect the acoustics of the Mosque /worship spaces' typology and/or specifying acoustical parameter limits specifically to be applied for Mosque typology, are included. Abdou [16] studied the acoustic characteristics of existing Saudi Arabian Mosques, by conducting field measurements (for parameters such as RT and C50) in twentyone (21) typical Mosques which had diverse sizes and architectural features. The aim was to list down or specify their acoustical performance and to clarify air cooling system, ceiling fans, and sound systems' acoustic effect. ...
Mihrab is a niche in the wall of a mosque that indicates the qibla, the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a mihrab appears is thus the "qibla wall". Mihrab geometry has an impact on daily prayer recitation and others. This paper investigates the impact of new type of the Mihrab geometry on the acoustics of the mosque. Flat wall and 7 types of mihrab were modeled. Polar response measurements were carried out using 1:10 scale model. Sound Transmission Index had been measured. Measurements had been realized using 1:10 omni-directional sound source and Dirac room acoustics software. It is found that, the flat wall and Mihrab with trapezium shape can generate a uniform polar response over the frequency range we are interested in (250-4000 Hz).
... Tarihi ve kutsal yapıların akustik karakteristikleri öncelikle teşhis etmek ve daha sonra özgünü korumak amacıyla mimari akustik ve mimarlık tarihi alanlarında araştırmacıların her zaman merak konusu olmuştur (Cirillo ve Martellotta, 2005;Kleiner et al., 2010). Günümüze kadar kiliseler (Pedrero et al., 2014;Luigi ve Martellotta 2015;Giron et al., 2017), bazilikalar (Martellotta, 2009;Martellotta, 2016), katedraller (Suarez et al., 2015;Alvarez-Morales et al., 2016;Martellotta et al., 2018;Anderson ve Anderson, 2000), ve camilerin (Abdelazeez et al., 1991;Abdou, 2003;Suarez et al., 2018;Sü and Yılmazer, 2008;Sü Gül ve Çalışkan, 2013a, b;Sü Gül et al., 2014;Sü Gül et al., 2018) akustik özellikleri üzerine pek çok araştırma yürütülmüştür. Pek çok İslam ve Hristiyan ibadet yapısı, özellikle anıtsal ve tarihte iz bırakmış olanları çok büyük iç hacimlere sahiptirler. ...
With its architectonic and material richness Hagia Sophia, one of the world's architectural master pieces, has always been an inspiration for acoustics science and research. In different times of its lifespan, room acoustics tests were held within Hagia Sophia to collect room impulse responses (RIR), as it is possible to get room acoustics parameter values through the post-processing of RIRs. The time permitted for field tests within such historically significant spaces is always limited, for that reason it is not possible to gather data at every location within the space, which is only possible through acoustical simulations. Hagia Sophia's multi domed upper shelter and fragmented interior with various sized arches and sub-volumes cause the sound to flow in a different manner in comparison to classical single space volumes. Thus, standard single slope metrics are not enough to define and understand the particular interior sound field of Hagia Sophia. In this study, acoustical models of Hagia Sophia that are tuned according to the field test results are used in ray tracing simulations and diffusion equation model computations, and 1000 locations within the structure are analyzed using Bayesian decay parameter estimations. Accordingly, depending upon the source and receiver configuration, in different positions within Hagia Sophia's immense volume multi-slope sound energy decays are observed, as a result of room acoustic coupling of different sub-volumes. The results are further analyzed by diffusion equation model through sound energy flow decays and energy flow vectors in order to understand the architectural features that are in effect of this authentic interior soundscape.
... Sampel TiO2 hasil sintesis dengan laju penambahan doping dengan waktu yang berbeda-beda sebelum diuji dengan menggunakan XRD dikalsinasi pada suhu 450ºC. Fasa anatase mulai muncul pada suhu 120-500ºC (Abdou, 2003) sedangkan fasa anatase akan bertransformasi menjadi fasa rutil pada suhu 700-915 ºC (Afrozi, n.d.). ...
Research on the effect of the addition phosphorus doping using a syringe pump with the sol-gel method. The purpose of this study was to determine the effect of the addition rate of phosphorus doping to the crystal structure and specific surface area of TiO2. Doping increment rate used are 0,4; 0,2; 0,13 and 0,1 ml/hours of TiO2 samples were calcined at 450ºC for 5 hours. The powder was characterized by x-ray diffraction (XRD) and surface area analyzer (SAA) by the BET method. XRD diffractogram generally shows that the nanotitania crystal structure phase is anatase which is the result of TTIP synthesis as the main source of TiO2. Particle size analysis using XRD data on TiO2 with different rates in a row that is 10.13; 9.98; 9.25 and 10.33 nm. BET test results for each sample were 86.954; 87,367; 99,694; 96,295 and 96,187 m2/g. The results of XRD characterization can affect the surface area, getting smaller the particle size, the greater surface area will be obtained.
... Effective wind-driven cross-ventilation requires a well-designed opening, such as a window, to allow sufficient exchange between indoor and outdoor air, especially when the building is surrounded by other buildings [7]. The study of mosque acoustics, concerning acoustical characteristics, sound quality for speech intelligibility, and other applicable acoustic criteria, has been neglected [8]. ...
Air distribution plays a significant role in the mosque design process because the building inhabitants anticipate acceptable indoor air quality. The temperature, speed, direction, and volume flow rate of indoor air, might make the worship uncomfortable if not designed well. It makes no difference how efficient the ventilation system is if the air is not evenly distributed. This study aims to study the air distribution for the best energy consumption by comparing three cases of variation in inlet and outlet locations. Furthermore, to avoid local temperature differences by extracting warmed and contaminated air before dispersing across the space. The impacts of inlet and outlet air position to room heat sources on air distribution and thermal comfort were investigated using Computational Fluid Dynamics CFD approaches. The result shows that inlet and outlet location significantly affect mosque air quality.
... In Buddhist temples and churches, higher courtyard walls of the temple and ceilings of the church enhanced sound reflection and sound field uniformity [3][4][5]. For mosques, the recommended T 30 for satisfying the needs of all acoustic scenes was greater than 1.0 s [6]. ...
The unique architectural form and religious background of Taoist buildings can lead to a special acoustic environment, but there is a lack of research on the soundscape evaluation of Taoist buildings. Laojundong Taoist Temple was selected as the research site. The psychological and physiological responses of Taoist priests and ordinary people, and strategies for soundscape renovation were investigated by conducting field measurements, interviews, soundwalks, and audio–visual experiments. There was significant negative linear regression between the LAeq,5min and soundscape comfort (p < 0.01). The visual landscape comfort of ordinary people was notably correlated with landscape diversity (p < 0.01), whereas their soundscape comfort was markedly correlated with the degree of natural soundscape and audio–visual harmony (p < 0.01). The soundscape evaluation by Taoist priests was affected by their belief, activity types, social factors, and spatial positions. With the increasing proportion of the natural elements in the visual landscape in the temple, the acoustic comfort of Taoist priests and ordinary people significantly increased with the addition of bird sounds (p < 0.01). However, with the increasing proportion of Taoist scenes, Taoist music only significantly improved the acoustic comfort and heart rate of ordinary people (p < 0.01).
... While acoustic research is more developed in certain types of worship spaces (e.g., churches), it is at the preliminary stages for others. For example, many mosques suffer from major acoustic issues, as stated by Abdou, who studied 90 mosques (Abdou, 2003). Considering that each of the two types of worship spaces has special acoustic requirements based on the undergone worship activities, understanding the acoustic requirements that support the spiritual experience is essential. ...
People’s interactions with the environment shape their experiences. Thus, understanding these interactions is critical to enhancing human well-being. Aural attributes play a significant role in shaping the perception of space in addition to visual attributes. It is well known that sounds evoke an emotional response, but less is known about how the acoustic characteristics of environments reinforce such an emotional impact. By adopting virtual reality as a platform for recreating 3D sounds and 360° visuals of built environments of worship spaces as case studies, this study aims to investigate the influence of the acoustic environment considering audiovisual congruency on enhancing the human experience through self-report and physiological response analysis. It also examines the role of cultural background in terms of familiarity with the acoustic environment. The convergent mixed-methods approach, merging both quantitative and qualitative analysis, provides a deep understanding of the role of the acoustic environment in enhancing the auditory experience. The results show that the acoustic environment and audiovisual congruency amplify the intensity of the emotional impact, and the amplification of the impact can vary depending on the acoustic environment of the building. They also reveal that familiarity with sound and acoustic characteristics can increase this impact.
... Abdou [2], çalışmasında Suudi Arabistan'daki farklı boyut ve mimari özellikteki 21 adet caminin akustik özelliklerini boş ve dolu olduğu senaryolara göre incelemiş, dolu caminin boş camiye oranla akustik koşullarının daha iyi olduğu sonucuna ulaşmıştır. Kayılı [3], araştırmasında Osmanlı cami mimarisinde yapılan akustik çözümlerden ve önerilen optimum parametre değerlerinden; Orfalı [4], kitabında camilerin tarihsel gelişim sürecinden, akustik değerlendirilmesinde kullanılacak kriterler ve optimum kabul değerlerinden bahsetmişlerdir. ...
Kültürel mirasın akustik açıdan belgelenmesi ve konfor analizi son yıllarda önemli bir çalışma konusu haline gelmiştir. Bu konu hakkında yapılan çalışmalar mimari koruma alanına yenilik kazandırmıştır. Kültürel miras olarak tanımlanan Anadolu Selçuklu dönemi mahalle mescitlerinin akustik performanslarının değerlendirilmesi ve özgün akustik konfor koşullarının ortaya konularak, yapılacak restorasyon çalışmalarına ışık tutması, söz konusu mirasın gelecek kuşaklara aktarılması açısından önem taşımaktadır. Çalışma kapsamında hem konuşma hem de dini musiki işlevini taşıyan Konya mahalle mescitlerinin arasından örnek alan olarak seçilen Hoca Hasan Mescidi ve Taş Mescit' in akustik özelliklerinin belgelenmesi ve akustik konfor şartlarının değerlendirilmesi amaçlanmıştır. Mescitlerin akustik konfor analizi matematiksel veriler üzerinden akustik simülasyon yöntemi ile değerlendirilmiştir. Bu bağlamda mescitlerin üç boyutlu modellemeleri yapılarak, ODEON Akustik Simülasyon Programına aktarılmıştır. Kaynak ve alıcı noktaları, yüzey malzemeleri, optimum değer kabulleri yapılarak akustik simülasyon yapılmıştır. Belirlenen eylemler ve hacim akustiği parametreleri ışığında ayrı ayrı simülasyon sonuçları incelenmiş, sonrasında analiz sonuçları birbirleriyle karşılaştırılmıştır. Sonuçta mahalle mescitlerinin akustik konfor koşulları ile ilgili çıkarımlar yapılmış ve önerilere yer verilmiştir.
... At the same time, more attention is traditionally paid to the acoustics of mosques in the Middle East . A comprehensive acoustic survey was carried out in about 30 mosques in Jordan [19] and 21 mosques in Saudi Arabia [22]. A significant amount of research is devoted to the acoustics of ROOM ACOUSTICS. ...
The results of an acoustic survey of the large Ketchaoua cathedral mosque in the city of Algiers (People’s Democratic Republic of Algeria) are presented, as well as an overview of the main problems of the acoustics of prayer halls in religious buildings, such as temples and mosques, based on this case study. The mosque was built in the 17th century and is one of the main attractions in Algeria’s capital. Measurements in the mosque’s
prayer hall were carried out according to the international method ISO 3382. The reverberation time, speech intelligibility and other acoustic quality criteria are reported. An analysis of the results and a subjective assessment of the acoustics of the mosque show that speech intelligibility in the prayer hall is insufficient. The measured acoustic criteria are compared with the optimal values and results of a survey of some other mosques.
Possible ways of improving the sound quality by architectural acoustic methods are formulated.