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One social media platform that is still highly favored by most people in this day and age is Instagram. Instagram users can present themselves in a visual form (eg, pictures and video) and text. Instagram promotes visual use, coupled with editing features which enable Instagram users to present themselves distinctly on social media. Friendship-cont...
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Context 1
... obtaining a new, fit model, as displayed in Figure 4 and Table 4, Chi-Square results for the model were significant, showing 0.112 with a probability value of 0.738 (p > 0.05). This significant probability Chi-Square value (p > 0.05) signifies that there was no difference between the data and the mode. ...
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Background
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Citations
... Research shows that adolescents in doing self-presentation on social media display things that are not in accordance with the daily lives of adolescents. Smith and Sanderson (2015) and Fullwood, James, and Chen-Wilson (2016) and Felita, et al (2016), they revealed that when interacting in social media, adolescents are more likely to present a "good" self in accordance to the standards present in social media or the ideal self (Ridha Rahmah et al., 2019;Yang & Bradford Brown, 2016a;Hendraswara et al., 2021;Chua & Chang, 2016;Salim et al., 2017b;Yau & Reich, 2019). TikTok as a "fun" platform supports each other in supporting "be yourself" attitudes, normalising the expression of positive and difficult emotions and experiences (Jande & Ibrahim, 2020). ...
The phenomenon of self-presentation is increasingly trending to reveal, develop identities, manipulate and customise individuals' self-images on social media. University students present themselves on TikTok through video uploads, music, and distributed using TikTok's highly personalised algorithms in group communication: watch history, re-watches, likes, comments, and post-view activity. We present the concept of online impression management through the lens of self-presentation theory as the practice of conveying self-impression and controlling personal information to represent one's self-image to be liked. This study uses a qualitative approach, uses phenomenological methods to find the meaning and interpretation of self-presentation through uploads on TikTok. They expressed personal information to their reference group and experimented based on different roles when constructing identity. Some strategies are used to give a positive impression to their friends. They projected different versions of themselves depending on self-category and group communication context when receiving positive feedback or likes.
... Additionally, the basis of FoMO syndrome is an inferiority complex (Abel, Buff, & Burr, 2016;Gupta & Sharma, 2021). Salim et al. (2017) assumed that FoMO may influence self-presentation motivation. Van der Schyff et al. (2022) proposed a model to predict excessive Instagram use by combining self-presentation and FoMO. ...
This study identified the relationship between inferiority complex and problematic social networking service (SNS) use, and examined the mediating effects of self-presentational motives and recognition of differences in self-worth between reality and SNS (RDSRS) on this relationship. The participants included 293 men and women aged 19 years or above who used SNS. The Inferiority Complex Scale, Self-Presentational Motivation Scale, a questionnaire measuring RDSRS, and the SNS Addiction Proneness Scale were used. To analyze the double-parallel mediating effect, PROCESS Macro 3.5 Model 4 was used. The results revealed that inferiority complex was positively correlated with self-presentational motives, RDSRS, and problematic SNS use. Self-presentational motives were positively correlated with RDSRS and problematic SNS use, while RDSRS was positively correlated with problematic SNS use. Additionally, self-presentational motives and RDSRS mediated inferiority complex and problematic SNS use. These findings suggest that self-presentational motives and RDSRS should be considered when mental health professionals treat problematic SNS use in individuals with high inferiority complex.
... Horwood & Anglim, 2019;Roberts & David, 2019). Inne badania wiążą jeszcze FOMO z: psychologiczną potrzebą przynależności (Gil et al., 2015;Lai et al., 2016;Salim et al., 2017;Scalzo & Martinez, 2017;Xie et al., 2018, Franchina et al., 2018, medioznawstwem i komunikacją społeczną (Salim et al., 2017;Auverset, Billings and Conlin, 2016;Ivasović & Burić, 2019), e-sportem (Larkin & Fink, 2016), marketingiem (Bailey, Bonifield & Arias, 2018;John et al., 2018;Kang, Son & Koo, 2019 ...
... Horwood & Anglim, 2019;Roberts & David, 2019). Inne badania wiążą jeszcze FOMO z: psychologiczną potrzebą przynależności (Gil et al., 2015;Lai et al., 2016;Salim et al., 2017;Scalzo & Martinez, 2017;Xie et al., 2018, Franchina et al., 2018, medioznawstwem i komunikacją społeczną (Salim et al., 2017;Auverset, Billings and Conlin, 2016;Ivasović & Burić, 2019), e-sportem (Larkin & Fink, 2016), marketingiem (Bailey, Bonifield & Arias, 2018;John et al., 2018;Kang, Son & Koo, 2019 ...
https://www.wdib.uw.edu.pl/images/fomo2021.pdf
La interacción humano-computadora funciona en una propiedad mixta (MR), y la imagen de perfil de Facebook es una de esas funciones de la MR (Rajan, 2018). Los usuarios de Facebook interactúan con las imágenes de perfil ya que son el primer componente del perfil de Facebook de un usuario. Este estudio muestra que las mujeres millenials (entre las edades de 18 y 25 años) cuidan y mercantilizan (Kasch, 2013) sus propias presentaciones en Facebook. El objetivo de las millenials es tener una identidad digital única mostrando conscientemente elementos como el atractivo, el estilo de vida y la ropa a través de imágenes de perfil. Las imágenes que utilizan buscan obtener, a menudo, una sensación de estado de celebridad evocado a través de las interacciones con los usuarios (me gustas, comentarios, etc.) con estas imágenes. Por otro lado, también son conscientes de que sus imágenes evocan una variedad de efectos entre sus usuarios. Esto incluye sentimientos de excitación sexual y el intento de otros usuarios de comunicar dicha excitación a través de mensajes sexualmente explícitos (verbales / visuales). Tal afecto, propiciado por el patriarcado, predetermina los patrones de auto-presentación y percepción de los cuerpos femeninos (Bordo, 1993). Este estudio utiliza una combinación de entrevistas cualitativas en profundidad y cuestionarios de encuestas de autoevaluación para comprender la curación detrás de la imagen del perfil de mujeres millenials en Bangalore (India). Este estudio realizó una encuesta a 117 mujeres millenials de entre 18 y 25 años de edad. Este artículo estudia el proceso detrás de la elección de determinadas imágenes de las mujeres, los propósitos a los que están dirigidos conscientemente y el poder de implicación afectiva del compromiso anticipado con estas imágenes. Se utiliza una versión modificada del framing de Goffman (1976) de los Anuncios de Género para analizar las fotos de los perfiles de Facebook de mujeres milenarias. Este estudio observó que las mujeres aplican procesos elaborados para lograr la imagen de perfil “perfecta”. La imagen de perfil tiene múltiples propósitos para el usuario, incluida la auto-afirmación de clase, la mercantilización del yo y la elección del yo en “redes sociales” en función de las expectativas de la sociedad. Estas millenials solían ser conscientes de que estas imágenes están incrustadas en una sociedad patriarcal y evocan respuestas afectivo-sexuales en otros usuarios.