Table 4 - uploaded by Fadi M. Al-Ghawanmeh
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Real-time maqam estimation results when improvising on each of the six considered maqamat (percentage of the overall duration).
Source publication
![Figure 2. Six basic Arab tri-, tetra-, or penta-chords [18]. (a) rast;...](profile/Fadi-Al-Ghawanmeh/publication/328860695/figure/fig1/AS:691504066596866@1541878825498/Six-basic-Arab-tri-tetra-or-penta-chords-18-a-rast-b-nahawand-c-bayati_Q320.jpg)
إن أتمتة تحديد المقام الموسيقي أثناء الأداء تعد أمراً مهمًا لتحسين الأداء الحي التفاعلي عبر الوسائط المتعددة وكذلك لتحسين أداء المرافقة الموسيقية الأوتوماتيكية . تقترح هذه المساهمة البحثية نموذجا لتحديد المقام الموسيقي لحظياً تم تطويره باستخدام لغة البرمجة المرئية MAX / MSP ، بجيث تمت تهيئة النموذج ليناسب آلة الناي، لا سيما ناي الدوكاه. اعتمد تصميم...
Contexts in source publication
Context 1
... comparing the Table 4 and Table 5, we note that the percentages of detecting the performance maqam in the overall durationare better in this experiment than the previous one, especially for the maqamatrast and bayati. These percentages are presented more clearly in Table 6 under the name "percentage of confidence". ...
Context 2
... maqam having the highest percentage of the overall duration is considered the final estimation results. Accordingly and as shown in Table 4 and Table 5 the model succeeded in estimat- ing all the improvisation maqamat because the maqam of improvisation always had the highest percentage of the overall duration whether in the real-time or the five-second buffer experiments. ...
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