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Marten de Vos, Resurrection, c. 1564 Fig. 9. Francesco da Castello, Last Judgement Fig. 10. Francesco da Castello, Resurrection of the Virgin Fig. 11. Fr. da Castello, Virgin with Saints, 1595

Marten de Vos, Resurrection, c. 1564 Fig. 9. Francesco da Castello, Last Judgement Fig. 10. Francesco da Castello, Resurrection of the Virgin Fig. 11. Fr. da Castello, Virgin with Saints, 1595

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The 'Anastasis' painting by Marten de Vos as well as the engravings after it inspired many artists in the Netherlands and Italy. Thus, in the Brukenthal collection there is a painting dated c. 1600 by an anonymous contemporary Flemish follower. Stylistic analysis situates it in the circle of Francesco da Castello and Wenceslas Coberger. A similar e...

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In the manuscript VatS 38, copied around 1550–63, there are two anonymous motets: Gaude felix ecclesia (ff. 114v-122r) and O altitudo divitiarum (ff. 122v-126r). Joseph Llorens attributed them to Costanzo Festa (c. 1490–1545) in his catalogue of the musical manuscripts of the Sistine Chapel and both are included in Festa’s Opera omnia. What Llorens...