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M. C. Escher, 'Hand with Reflecting Globe', 285 mm × 325 mm, 1934 Lithograph, http://www.mcescher.com/gallery/italian-period/hand-with-reflecting-sphere/ (left), M. C. Escher, 'Eye', 150 mm × 200 mm, 1946 Mezzotint, http://www.mcescher.com/gallery/back-in-holland/eye/ (right) 

M. C. Escher, 'Hand with Reflecting Globe', 285 mm × 325 mm, 1934 Lithograph, http://www.mcescher.com/gallery/italian-period/hand-with-reflecting-sphere/ (left), M. C. Escher, 'Eye', 150 mm × 200 mm, 1946 Mezzotint, http://www.mcescher.com/gallery/back-in-holland/eye/ (right) 

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Figure 1. M. C. Escher, 'Relativity', 294 mm × 282 mm, 1953 Lithograph,...
Figure 2. M. C. Escher, 'Hand with Reflecting Globe', 285 mm × 325 mm,...
Figure 4. M. C. Escher, 'Encounter/ 340 mm × 465 mm, 1944 Lithograph,...
Figure 5. Images from Istvan Orosz's work describing the anamorphosis...
+2 Figure 6. Istvan Oroszs working image of Edgar Allan Poe with...
Fictional Illustration Language with Reference to M. C. Escher and Istvan Orosz Examples
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  • Dec 2017
Alternative approaches in illustration language have constantly been developing in terms of material and technical aspects. Illustration languages also differ in terms of semantics and form. Differences in formal expressions for increasing the effect of the subject on the audience lead to diversity in the illustrations. M. C. Escher’s three-dimensi...
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