Figure - available from: International Journal of Historical Archaeology
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Flooding on Huger Street following a rainstorm in April 2017, photo by author. Location on Halsey Map indicated by arrow. Halsey map image courtesy of the South Carolina Historical Society (Halsey 1949).
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In 1949, a lumber executive and city alderman in Charleston, South Carolina, named Alfred O. Halsey produced a visually unique map of the Charleston peninsula. The map highlights the fluctuations and changes of the urban landscape through time and traces the contours of historic events in the city. Although his depiction is compelling, tapping into...
Citations
The early 20th century was a period rife with racial and anti-Black violence that impacted every corner of the United States. Recent archaeological studies have been undertaken to understand these sites of violence; however, more work needs to be done. This article, focusing on the 1921 Tulsa Race Massacre and its 2021 centennial, shines a light on how survivors, descendants, and stakeholders shape these events by using memory, the landscape, and archaeology as tools to tell their own stories in the past and present.
This paper brings together research on rural gentrification with emerging work on lived landscapes that has emphasised the intertwining of the human and more‐than‐human with the performance of activities of everyday living and their affective significance. It draws on research examining rural gentrification in three contrasting landscapes, termed ‘the wood’, ‘the village’ and ‘the moortop’. These landscapes connect to earlier studies of rural social change and gentrification in England, with ‘the wood’ and ‘the village’ being sites research by Ray Pahl and the ‘moortop’ one of the landscapes identified in Smith and Phillips' (2001) examination of the role of representations of rurality in processes of rural gentrification. The paper draws on research that returned to the locations of this earlier research, and seeks to re‐examine arguments advanced by these studies about the formation of socially differentiated worlds and representations of rurality through a lived landscape perspective.
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