Figure 6 - uploaded by Tallay Ornan
Content may be subject to copyright.
Cultic pedestal of Tukulti-Ninurta I, King of Assyria, Assur. Courtesy of the Museum of the Ancient Near East, Istanbul (7802). 

Cultic pedestal of Tukulti-Ninurta I, King of Assyria, Assur. Courtesy of the Museum of the Ancient Near East, Istanbul (7802). 

Source publication
Full-text available
Standing at the head of the social hierarchy, the Mesopotamian king had a close relationship with the gods and was considered a mediator between the earthly and divine spheres. The interaction between kings and gods had a supreme role in ensuring social welfare and a vital function in the empowerment of the ruler. The worldly needs of the ruler led...

Context in source publication

Context 1
... I (1114-1076Feller 2010: 729); on one, the object of worship, Gula's dog, has survived (Herles 2006: 74-75, 221-22, figs. 26667). A rendering more relevant to our discussion is depicted on a larger pedestal, probably a nēmedu, 10 which was found outside the entrance to the Ishtar Temple, near the gate closest to the Sin-Šamaš Temple temple (Fig. 6). Here the royal image is highlighted by occupying the central location of the composition and emphasized by the two lahmu-like guardian figures flanking him. The composition recalls a temple facade (Herles 2006: 108-109, fig. 401;Winter 2008: 84) that permits a glance into its interior, in which the king replaces a divine image and, as ...


... The potential divide between historical and legendary kings is frequently indistinct in written and material evidence: imagery from epic literature underlies the historical ideology of early Mesopotamian kings, and royal iconography blends the image of the historical king with his legendary predecessors (Ornan, 2014). Royal epics contain motifs very close to those that appear in the epics of legendary heroes and in Sumerian king lists; rulers who feature as the heroic subjects of epic are listed along with later historical kings. ...
In this ground-breaking study, Robin Baker investigates the contribution ancient Mesopotamian theology made to the origins of Christianity. Drawing on a formidable range of primary sources, Baker's conclusions challenge the widely held opinion that the theological imprint of Babylonia and Assyria on the New Testament is minimal, and what Mesopotamian legacy it contains was mediated by the Hebrew Bible and ancient Jewish sources. After evaluating and substantially supplementing previous research on this mediation, Baker demonstrates significant direct Mesopotamian influence on the New Testament presentation of Jesus and particularly the character of his kingship. He also identifies likely channels of transmission. Baker documents substantial differences among New Testament authors in borrowing Mesopotamian conceptions to formulate their Christology. This monograph is an essential resource for specialists and students of the New Testament as well as for scholars interested in religious transmission in the ancient Near East and the afterlife of Mesopotamian culture.
This contribution explores the material manifestations of Assyrian kingship and how they intersected with Assyrian ideology and religion. This state-of-the-field discussion focuses on the Neo-Assyrian period, 883–612 BCE. To legitimate their positions as the god Aššur's chosen delegate, the kings produced and consumed a vast array of monumental and portable goods, which served to represent the kings as beneficent creators of an orderly realm and protectors of the Assyrian world keeping chaos at bay.