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This study analyses the essential question of the role of visual and material culture in the construction of a mass racial ideology during the Fascist colonial empire. The hypothesis behind this essay is that representations of the facial features of colonised populations may be understood as agents that transform what are in fact inconsistent and...
Context in source publication
Context 1
... the most famous covers is the impactful photomontage published on the three first covers of this journal (1938, Figure 7) juxtaposing the profiles of an ancient sculpture of Polycletus' Doryphore, of an anthropological photograph of an African woman taken by Lidio Cipriani, and of the image of a caricatural terracotta sculpture of a Semite. These faces are separated by a sword signifying the firm determination of the Fascist regime's racial policy to prevent any form of miscegenation. ...
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