Figure - available from: Music Perception: an interdisciplinary journal
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![[Color online] Average prominence ratings of the timbre classes. *** p < .0001.](publication/388528175/figure/fig4/AS:11431281341016611@1743535772766/Color-online-Average-prominence-ratings-of-the-timbre-classes-p-0001.png)
Source publication
![[Color online] An annotated excerpt from Haydn’s Symphony 100, ii, mm....](publication/388528175/figure/fig1/AS:11431281341422950@1743535772062/Color-online-An-annotated-excerpt-from-Haydns-Symphony-100-ii-mm-17-23-with-WS-S_Q320.jpg)
![[Color online] Screenshot of different phases of the experimental...](publication/388528175/figure/fig3/AS:11431281341422951@1743535772506/Color-online-Screenshot-of-different-phases-of-the-experimental-interface-in-the_Q320.jpg)
![[Color online] Average prominence ratings of the timbre classes. *** p...](publication/388528175/figure/fig4/AS:11431281341016611@1743535772766/Color-online-Average-prominence-ratings-of-the-timbre-classes-p-0001_Q320.jpg)
![[Color online] Estimated means for the ten timbre categories of...](publication/388528175/figure/fig5/AS:11431281341522375@1743535772955/Color-online-Estimated-means-for-the-ten-timbre-categories-of-stratified-excerpts_Q320.jpg)
The stratification of layers of differing prominence (foreground/background) is a common technique in orchestration. Musicians heard 23 excerpts containing foreground and background layers as previously determined by music analysts. A given layer comprised either a single auditory stream of one or more blended instruments or a harmonic or rhythmic...
