Figure - available from: Music Perception: an interdisciplinary journal
This content is subject to copyright.
![[Color online] An annotated excerpt from Haydn’s Symphony 100, ii, mm. 17–23, with WS-S stratification between string and woodwind instruments (SW) in the foreground layer (flutes and violins, red box) and lower string instruments (S) in the background layer (violas, celli, basses, dashed blue box).](publication/388528175/figure/fig1/AS:11431281341422950@1743535772062/Color-online-An-annotated-excerpt-from-Haydns-Symphony-100-ii-mm-17-23-with-WS-S.png)
[Color online] An annotated excerpt from Haydn’s Symphony 100, ii, mm. 17–23, with WS-S stratification between string and woodwind instruments (SW) in the foreground layer (flutes and violins, red box) and lower string instruments (S) in the background layer (violas, celli, basses, dashed blue box).
Source publication
![[Color online] An annotated excerpt from Haydn’s Symphony 100, ii, mm....](publication/388528175/figure/fig1/AS:11431281341422950@1743535772062/Color-online-An-annotated-excerpt-from-Haydns-Symphony-100-ii-mm-17-23-with-WS-S_Q320.jpg)
![[Color online] Screenshot of different phases of the experimental...](publication/388528175/figure/fig3/AS:11431281341422951@1743535772506/Color-online-Screenshot-of-different-phases-of-the-experimental-interface-in-the_Q320.jpg)
![[Color online] Average prominence ratings of the timbre classes. *** p...](publication/388528175/figure/fig4/AS:11431281341016611@1743535772766/Color-online-Average-prominence-ratings-of-the-timbre-classes-p-0001_Q320.jpg)
![[Color online] Estimated means for the ten timbre categories of...](publication/388528175/figure/fig5/AS:11431281341522375@1743535772955/Color-online-Estimated-means-for-the-ten-timbre-categories-of-stratified-excerpts_Q320.jpg)
The stratification of layers of differing prominence (foreground/background) is a common technique in orchestration. Musicians heard 23 excerpts containing foreground and background layers as previously determined by music analysts. A given layer comprised either a single auditory stream of one or more blended instruments or a harmonic or rhythmic...
