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2 Ali Eslami's False Mirror (2018). Ali trying to adjust the selfie camera in Skyville, inside Acid Park District. Photo credit: Ali Eslami

2 Ali Eslami's False Mirror (2018). Ali trying to adjust the selfie camera in Skyville, inside Acid Park District. Photo credit: Ali Eslami

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Chapter
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This chapter will investigate a set of artistic and activist augmented reality (AR) projects that in various ways revolve around the curation of urban, public, and institutional spaces. These projects demonstrate intersections between principles of design, mobile design, and performative cartography, and urban curation—principles that we can recogn...

Citations

... This relational perspective makes dynamic the otherwise more static bipolar logic inherent in a common conceptualization of the physical and the virtual as two intrinsically separate (even if hybrid or blended) domains. As such, XR can be conceptualized as "crossing reality" (Verhoeff and Dresscher 2020). Using XR as a bracket for various visualization technologies that work with the intersections of, and movements between, realities demonstrates how crossing as a concept can be particularly relevant for the creative humanities. ...
Book
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This concise, precise, and inclusive dictionary contributes to a growing, transforming, and living research culture within both humanities scholarship and professional practices within the creative sectors. Its format of succinct starting definitions, demonstrations of possible routes of further development, and references to new and revisited concepts as “conceptual invitations” allows readers to quickly uptake and orient themselves within this exciting methodological field for didactic, scholarly and creative use, and as a starting point for further investigation for future contributions to the new canon of critical concepts. Critical Concepts for the Creative Humanities is the first book to outline and define the specific and evolving field of the creative humanities and provides the field’s nascent bibliography.