Fig 1
![, Achille Isidore Gilbert (draughtsman) and Smeeton Tilly (wood engraver), after Henri Lehmann (painter), Émile Galichon, 1875. Wood engraving. Published in L'Art, January 10, 1875, 211. Artwork in the public domain; available from: Gallica. [larger image]](publication/362023352/figure/fig1/AS:11431281113141264@1673723460567/Achille-Isidore-Gilbert-draughtsman-and-Smeeton-Tilly-wood-engraver-after-Henri.png)
, Achille Isidore Gilbert (draughtsman) and Smeeton Tilly (wood engraver), after Henri Lehmann (painter), Émile Galichon, 1875. Wood engraving. Published in L'Art, January 10, 1875, 211. Artwork in the public domain; available from: Gallica. [larger image]
Context in source publication
Context 1
... in the exhibitions organized by artist collectives, such as the impressionist exhibitions. She mentions the 1861 exhibition of Ingres's drawings only in passing (7)(8), erroneously asserting that the event was financed by the French government. I would like to thank my fellow symposiasts in Cleveland for calling my attention to DeWitte's study. Fig. 1, Achille Isidore Gilbert (draughtsman) and Smeeton Tilly (wood engraver), after Henri Lehmann ...
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