[show abstract][hide abstract] ABSTRACT: This research proposes a new model concerning the non-linguistic elements of theater. Based on the well-known model proposed by Kow- zan (1972), the new proposal takes into account contributions made by semiotics, particularly concepts from Hjelmslev, Barthes and Greimas. In conclusion, some reflections about theatre criticism in Venezuela are proposed, suggesting that these criticisms be made from theoretical and
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