Factors affecting the McGurk illusions 1
RUNNING HEAD: FACTORS AFFECTING THE McGURK ILLUSIONS
The role of sound intensity and stop-consonant voicing on McGurk fusions
Colin, C. (1), Radeau, M. (1) (2), Deltenre, P. (3), Demolin, D. (4) and Soquet, A. (4)
Research Unit in cognitive Neurosciences CP 191, Université libre de Bruxelles, 50, av.
Roosevelt, B-1050 Brussels, Belgium.
Evoked Potentials Unit, Brugmann Hospital, 4, Place Van Gehuchten, B-1020 Brussels,
Phonology Laboratory CP 175, Université libre de Bruxelles, 50, av. Roosevelt, B-1050
Research Unit in Cognitive Neurosciences
Université libre de Bruxelles
50, av. F. Roosevelt
Factors affecting the McGurk illusions 2
When presented with an auditory /b/ dubbed onto a visual /g/, listeners sometimes perceive a fused
phoneme like /d/ while with the reverse presentation, they experience a combination such as /bg/. This
phenomenon reported by McGurk and MacDonald (1976) is here investigated in French for both
voiced and voiceless stop consonants, using two levels of auditory intensity (70 dB vs. 40 dB). In a first
experiment, audiovisual incongruent monosyllables (A/bi/ V/gi/, A/gi/ V/bi/, A/ki/ V/pi/, A/pi/ V/ki/)
uttered by a man and by a woman speakers were recorded and dubbed, using an analogical technology.
In a second experiment, the same syllables articulated by the man speaker were recorded and dubbed
according to digital technology. In a third experiment, the same materials as in the second experiment
were used but the presentation procedure of the experimental items was changed: audiovisual
incongruent trials were mixed up with congruent ones. In the three experiments, the role of voicing and
of auditory intensity were investigated. Overall, combinations were much more numerous than fusions
and both types of illusions tended to increase at low intensity. Voicing had a differential effect on both
types of illusions. Combinations were more numerous with voiceless consonants but fusions tended to
occur more often with voiced ones. The number of illusions was affected by the dubbing technique but
not by the presentation procedure.
Factors affecting the McGurk illusions 3
The role of sound intensity and stop-consonant voicing on McGurk
fusions and combinations
Speech perception has long been considered as a mere auditory process. Auditory speech
seems indeed sufficient in many communication situations when it is the only available source of
information. However, in face to face communication, the speaker’s lips and face provide useful
information for speech perception. In 1954, Sumby and Pollack showed that the intelligibility of an
auditory signal embedded in noise is considerably improved by lipreading. This increase in intelligibility
may be attributed to the fact that visible information complements auditory information as regards, for
example, the place of articulation, which is difficult to extract from the auditory signal alone (Miller &
Nicely, 1955). Since then, numerous studies showed that visible speech is particularly useful when the
auditory signal is degraded due to noise, bandwidth filtering or hearing impairment. For children suffering
from hearing loss, lipreading is assumed to play an important role in spoken language acquisition (Dodd,
McIntosh & Woodhouse, 1998).
The strong influence of visible speech is not limited to situations with degraded auditory inputs. It
enhances the comprehension of clear speech signals that contain complicated content (Reisberg, 1987).
It also gives useful information concerning the speaker’s emotional state (Cerrato, Albano, Leoni &
Falcone, 1998) and contributes to the acquisition of a second language (Davis & Kim, 1998). Finally,
lipreading can influence speech perception when audition and vision provide incongruent signals. For
example, when confronted with discrepant auditory and visual speech tokens, participants often report
hearing a percept that does not correspond to the auditory information but integrates features from the
visual input. This illusion, first reported by McGurk and MacDonald (1976), and generally referred to as
the McGurk effect, indicates that the perceptual system makes use of the visual information even when
the auditory signal is clear and unambiguous. Two different kinds of illusions have been observed:
fusions and combinations. While visual presentation of a syllable containing a velar consonant like /ga/
together with an auditory syllable containing a bilabial consonant like /ba/ is likely to elicit a fused
response /da/, the reverse presentation will normally give rise to a combination such as /bga/.
Factors affecting the McGurk illusions 4
Proponents of the revised motor theory of speech (Liberman & Mattingly, 1985) have invoked
the McGurk effect in order to support their view that speech perception is special. According to the
revised motor theory, the object of speech perception is not the acoustic signal but the intended
phonetic gestures of the speaker. Under this theory, a specialized perceptual Fodorian module performs
the automatic conversion of received acoustic signals into intended articulatory gestures, which lead to
perceived phonetic structures. The theory assumes that the module is engaged whenever an acoustic
stimulus can be interpreted as linguistic. According to Mattingly and Liberman (1988), the McGurk
percept is unambiguously phonetic, not bimodal, and this brings support to the assumption that speech
perception is neither auditory nor visual, but results from the early conversion of received visual and
acoustic information into intended articulatory gestures.
The Fuzzy Logical Model of Perception (Massaro, 1987) provides a different view about the
McGurk effect. This model assumes that speech is not associated with a particular processing mode,
like in the Motor Theory. On the contrary, general auditory processes are thought to be sufficient to
explain the perception of speech. In case of an audiovisual conflict, both input modalities are
independently evaluated and the illusory McGurk percepts result from a rather late integration process.
The McGurk effect has been replicated many times since McGurk and MacDonald’s first study
and it has been described as a mandatory and compulsory phenomenon. Indeed, when submitted to
incongruent audiovisual stimuli, listeners do not experience the same perception when their eyes are
open or shut, and even if they are fully aware of the dubbing procedure, they cannot immunize their
percept from the visual influence.
Most studies have been conducted in English (Green & Gerdeman, 1995; Green, Kuhl,
Meltzoff & Stevens, 1991; MacDonald & McGurk, 1978; Massaro, 1987; McGurk & MacDonald,
1976; Munhall, Gribble, Sacco & Ward, 1996; Rosenblum, Schmuckler & Johnson, 1997; Walker,
Bruce & O'Malley, 1995), some others in Dutch (Bertelson, Vroomen, Wiegeraad & de Gelder,
1994), Finnish (Sams, Surakka, Helin & Kättö, 1997), German (Diesch, 1995), Japanese (Sekiyama
& Tohkura, 1991; Sekiyama & Tohkura, 1993) or Chinese (Sekiyama, 1997). In French, the McGurk
illusion does not appear to have been systematically investigated. To our knowledge, one of the rare
Factors affecting the McGurk illusions 5
studies in which French was considered is that conducted by Werker, Frost and McGurk (1992).
However, the aim of the study was to assess the effect of the degree of English linguistic experience on
the illusion. For that purpose, the audiovisual syllables were recorded from a native Canadian speaker
of English, and the participants were one group of English speakers and five groups of Canadian-French
speakers varying in their fluency in spoken English. The materials consisted in an auditory /ba/ dubbed
onto a visual /ba/, /va/, /da/, /ga/, /Za/ or onto the interdental stimulus /Da/ which occurs in English, but
not in French. There was a relationship between the level of proficiency in English and the proportion of
visual captures for the interdental stimulus. In response to the interdental visual stimulus, French
speakers beginning in English assimilated this interdental viseme to the viseme with the closest place of
articulation that has a phonemic status in French (/d/). The authors concluded that a high degree of
linguistic experience with a language helps using and integrating lipreading in the perception of this
language. Therefore, it appears that little is known about the McGurk effect with native French
participants submitted to stimuli uttered by native speakers of French.
Some data suggest that the McGurk effect could be stronger when the auditory stimuli are made
less salient, by intensity reduction or noise addition. For example, in Japanese, where the effect proved
difficult to obtain, the addition of auditory noise enabled Sekiyama and Tohkura (1991) to get a much
stronger effect. For native speakers of English, tested in English, Hardison (1996) found a similar result
in one of her experiments. In a recent study, also conducted in English, Fixmer and Hawkins (1998)
showed that the number of McGurk responses increased with auditory noise and decreased with visual
noise. Kuhl and Green (1988), however, reported an increase in the number of illusory responses as the
level of the auditory signal also increased (from 45 dB to 58 dB and 66 dB).
On the other hand, the influence of voicing on the size of the McGurk effect does not seem to
have been investigated yet. Most studies were performed with voiced consonants, except Hardison
(1996) who used voiceless stops and fricatives. Only some studies used both types of consonant but
did not compare them explicitly. It is impossible to deduce from Diesch (1995) or from Sekiyama
(1997) which type of consonant elicited the most illusions. MacDonald and McGurk (1978) found more
fusions with voiced consonants, but for combinations, there was apparently no difference. Sekiyama and
Factors affecting the McGurk illusions 6
Tokhura (1991) also used both kinds of consonant and found globally more illusions with voiceless
The goal of the first experiment was thus to study the role of a sound intensity manipulation on
the McGurk illusions, using both voiced and voiceless stop consonants. Because the McGurk effect
could be modulated by acoustic parameters (e.g. voice pitch) or visual parameters (e.g. size of the
mouth opening), the materials were pronounced by two speakers: a woman and a man. In a second
experiment, we assessed the generality of auditory intensity and voicing effects with another dubbing
procedure. Finally, in a third experiment, the role of the same variables was again investigated, using the
same dubbing procedure as in Experiment 2, but a somewhat different presentation procedure of the
Fifty-six students (33 women and 23 men; mean age: 21 years; range: 18-25 years) from the
Free University of Brussels participated in the experiment as part of an introductory psychology course.
They were all native speakers of French, without reported history of hearing disorder and with normal
or corrected-to-normal vision. Thirty-six participants were exposed to the stimuli played at 70 dB and
the other twenty were exposed to a sound intensity level of 40 dB.
The same materials were used for each intensity condition. They consisted of four CV
monosyllables (bi, gi, pi, ki) articulated by a woman and by a man wearing no beard who were native
speakers of French.
The speakers were filmed on a turquoise background and spoke in a boom microphone
(Senheiser MKH416). A color video camera (Sony A537p) and a video recorder (Panasonic AG-
5700) were used for the recording. Only the lower part of the speaker’s face (from the chin to the top
Factors affecting the McGurk illusions 7
of the nose) was filmed in order to draw the participants’ attention on the speaker’s lips. Each item was
pronounced three times in succession.
Editing and dubbing of the recorded stimuli were performed using two video recorders
(Panasonic AG-5700) and a Panasonic AG-A770 editing desk. All experimental items were
incongruent. They were created by replacing the original audio signal of a given item by the audio signal
corresponding to another item that, among the three utterances, had about the same length in frames.
The onset of the sound was synchronized with mouth opening. The acoustic tracks of the /bi/ and /gi/
and of the /pi/ and /ki/ items were exchanged in order to provide four incongruent audiovisual stimuli. In
a trial, the lip movements were preceded and followed by 800 ms video display of the speaker’s face
with a neutral facial expression. A trial thus lasted approximately two to three seconds.
In order to test the intelligibility of the auditory stimuli, control items were constructed. They
consisted of the same auditory syllables as the experimental items but were recorded on a still face.
Four tapes were edited, one for each speaker and one for each kind of trials (experimental vs.
control). Each tape consisted of 12 trials, four different stimuli being presented three times in random
order. The auditory stimuli were low-pass filtered with a -15 dB cutoff at 10-15 kHz.
The participants seated in front of a table, at 75 cm from a Panasonic color screen (width: 33
cm; height: 25 cm). A Trust loudspeaker was located on the top of the screen. The stimuli were played
at an average level of 70 dB (which was 40 dB above the room background noise), measured on a
sound-level meter (Brüel & Kjaer 2204 - A scale - fast) placed at the same distance and height as the
participants’ head. The students had to choose between several written answers the one corresponding
to what they had heard. The possible answers were: /b/, /g/, /p/, /k/, /t/, /d/, /bg/, /pk/ and /other/ (the
participants were instructed to choose this latter category as little as possible). These answers were
selected on the basis of the most frequent answers found in a pilot study in which the participants had to
write down what they had heard. The interstimulus interval (ISI) lasted 3 s. It consisted of a black
screen period during which the participants had to give their response. The session began by an eight
Factors affecting the McGurk illusions 8
trials training block. For each auditory intensity, two groups of participants were presented the two
tapes in a different order. The entire session lasted about ten minutes.
Results and discussion
For each item, the participants were likely to give an answer corresponding to the auditory
information, or to the visual information, or an audiovisual response. We considered as illusory
responses, the audiovisual responses as well as the visual responses for which there was no voicing
confusion. Indeed, because voicing is mainly conveyed by the auditory modality, visual responses
without voicing confusion can not be explained in terms of pure lipreading but necessarily involve the
integration of the auditory information. Let us note that, for more than 90% of the visual responses, there
was no voicing confusion (e.g., /b/ was almost never confused with /p/ and so was it for /g/ and /k/). In
several other studies, although voicing was not taken into account, visual responses were also included
in the analyses because they were considered as particularly strong manifestations of the McGurk effect
(Diesch, 1995; Rosenblum et al., 1997; Sams, Aulanko, Hämäläinen, Hari, Lounasmaa, Lu & Simola,
Illusions occurring for audiovisual stimulations the auditory part of which had been misidentified
in the control condition were subtracted from the total number of illusory responses for each participant.
For example, if a participant made two errors in identifying the auditory /bi/ of a control trial, these two
errors were subtracted from the total number of illusory responses that occurred for the auditory /bi/,
visual /gi/ experimental trial. In the auditory control condition, the confusions involving bilabial
consonants appeared in only 1% of the cases and consisted mostly in a confusion between /b/ and /g/ or
/p/ and /k/. Most auditory confusions (21%) however concerned velar consonants that were
erroneously considered as clusters (/bg/ response instead of /g/).
Illusions percentages are displayed in Table 1 as a function of speaker gender, auditory intensity
and type of pairing. The main results are that the percentage of fusions was much lower than that of
combinations and that the percentage of illusions increased from 70 dB to 40 dB.
Factors affecting the McGurk illusions 9
INSERT TABLE 1 ABOUT HERE
For each intensity, a variance analysis (ANOVA) was conducted on the percentages of illusions
as dependent variable. Speaker gender, Type of pairing (fusion-type vs. combination-type) and Type of
consonant (voiced vs. voiceless) were the within-participants variables. Presentation order of the two
conditions (auditory first vs. audiovisual first) was a between-participants variable. Because this factor
never reached significance or interacted with any other factor, it will no longer be mentioned.
For the 70 dB intensity, the main effect of Type of pairing was significant (F(1,35)=93.55, p<.
0001), combinations being 41% more numerous than fusions. Speaker gender was also significant
(F(1,35)=15.22, p<.001), the woman speaker giving rise to 14% illusions more than the man speaker,
and it interacted with Type of pairing (F(1,35)=17.16, p<.001). There were more combinations for the
woman speaker than for the man speaker (F(1,35)=16.32, p<.001), but no difference between both
speakers for fusions (F(1,35)=2.05, p<.20). The main factor of Type of consonant was significant
(F(1,35)=15.40, p<.001), voiceless consonants eliciting 13% illusions more than voiced ones. This
factor interacted with Type of pairing (F(1,35)=14.78, p<.001), the main effect of Type of consonant
being due to combinations (F(1,35)=15.24, p<.001). Fusions were indeed close to 0% for both types
of consonant (F<1). The double interaction between Speaker gender and Type of consonant was not
significant (F(1,35)=1.79, p<.20), nor was the triple interaction with Type of pairing (F(1,19)=1.23,
For the 40 dB auditory intensity, Type of pairing was significant (F(1,19)=44.65, p<.0001),
combinations being 34% more numerous than fusions. Type of consonant was also significant
(F(1,19)=31.87, p<.001), voiceless consonants giving rise to 21% illusions more than voiced ones.
Those two factors interacted with each other (F(1,19)=33.02, p<. 0001) showing again that voiceless
consonants produced more combinations than voiced ones (F(1,19)=34.20, p<.0001), whereas for
fusions there were no difference between voiced and voiceless consonants (F<1). Speaker gender was
not significant (F<1) but interacted with Type of pairing (F(1,19)=8.70, p<.01) and with Type of
consonant (F(1,19)=6.97, p<.05). Fusions were more numerous with the man speaker than with the
Factors affecting the McGurk illusions 10
woman speaker (F(1,19)=14.54, p<.01), whereas there were no difference for combinations
(F(1,19)=1.25, p<.30). For the woman speaker, there were more illusions for voiceless than for voiced
consonants (F(1,19)=22.50, p<.001) but there was no difference for the man speaker (F(1,19)=1.86,
p<.20). The triple interaction did not reach significance (F(1,19)=1.01, p<.40).
On the whole, illusions were 6% more numerous at 40 dB than at 70 dB. In order to investigate
if this difference was statistically significant, we conducted an ANOVA with Speaker gender, Type of
pairing and Type of consonant as within-participants variables and with Auditory intensity (70 dB vs. 40
dB) as between-participants variable. Auditory intensity did not reach significance (F(1,54)=2.57,
p<.20) and it only interacted with Speaker gender (F(1,54)=8.86, p<.01). There were more illusions at
40 dB than at 70 dB for the man speaker (F(1,54)=9.37, p<.01) but no difference between both
intensities for the woman speaker (F<1).
The asymmetry between fusions and combinations was an unexpected aspect of the results. On
average for the two intensity conditions, whereas the visual presentation of a bilabial stop consonant
together with the auditory presentation of a velar stop consonant gave rise to a combination in 43% of
the cases, the reverse presentation elicited a fusion in only 5% of the trials. This asymmetry was found
for both speakers and for both voiced and voiceless consonants. Because the dubbing procedure used
here was realized on analogical materials, one cannot rule out the possibility that the synchronization
between auditory and visual signals was not always accurate. In order to control for this possible bias,
we conducted another experiment using the same syllables but recorded and dubbed with digital
technology. Only the man, for whom there was a substantial number of fusions, was chosen as speaker.
Factors affecting the McGurk illusions 11
Thirty-two students (23 women and 9 men; mean age: 20 years; range: 17-40 years) from the
Free University of Brussels and selected according to the same criteria as in Experiment 1 participated
in the experiment as part of an introductory psychology course. Half of the participants were exposed to
the stimuli played at 70 dB and the other half were exposed to a sound intensity level of 40 dB.
The syllables were the same as than in Experiment 1 (/bi/, /gi/, /pi/ and /ki/). They were uttered
by the man speaker and recorded on a high speed digital camera Kodak EktaPro 1000 Imager,
configured in order to capture gray scale images of 240 x 192 pixels at a rate 125 images per second.
Again, only the lower part of the speaker’s face was filmed. Each item was pronounced eight times in
succession. The room was lit up with Arrilite 800 lighting.
Audio signals and trigger pulses corresponding to image acquisition were simultaneously
recorded on a Digital Audio Tape. The trigger pulses were used to post-synchronize the audio signal
with the video data. For each utterance, a movie was built so that (1) the total length of the movie was
one second and (2) the burst of the stop consonant started halfway of the movie. For both couples of
syllables (/bi/ and /gi/, and /pi/ and /ki/), we selected those that had the closest vowel duration in order
to best match auditory and visual syllables. The acoustic tracks of the /bi/ and /gi/ and of the /pi/ and /ki/
movies were then respectively exchanged in order to provide four incongruent audiovisual stimuli.
Control items were still constructed. They consisted of the same auditory syllables as the
experimental items but were paired with a still face.
Audiovisual incongruent items and control items were presented in two different sets of trials.
Each set consisted of two 24 trial blocks. Each kind of stimulus was thus presented 12 times, in random
The stimuli were presented with iShell (ver. 1.2) software1. The participants seated in front of a
table, at 75 cm from a 17’ computer screen (Highscreen MS 1795p). A PC loudspeaker (Bass
Booster AS 200) was located on the top of the screen. The stimuli were played at an average level of
70 dB or 40 dB, depending on the condition. The responses were given in the same way as in
Factors affecting the McGurk illusions 12
Experiment 1 during a 3 s. ISI of black screen. The session began by an eight trials training block. For
each auditory intensity, two groups of participants were presented the two sets of items (auditory alone
or audiovisual) in a different order. The entire session lasted about 15 minutes.
Results and discussion
As in Experiment 1, we considered as illusory responses, the audiovisual responses as well as
the visual responses without voicing confusion and subtracted, from this total, illusory responses the
auditory part of which had been misidentified in the control condition. Similarly to the first experiment,
the confusions involving bilabial consonants appeared in only 1% of the cases and consisted mostly in a
confusion between /b/ and /g/ or /p/ and /k/. Most auditory confusions (22%) concerned velar
consonants that were again erroneously considered as clusters (/bg/ response instead of /g/).
Illusions percentages are displayed in Table 2 as a function of auditory intensity and type of
INSERT TABLE 2 ABOUT HERE
Two separate ANOVAS were conducted on percentages of illusions as dependent variable in
the two intensity conditions. Type of pairing (fusion-type vs. combination-type) and Type of consonant
(voiced vs. voiceless) were the within-participants variables. Presentation order of the two sets, which
was again a between-participants variable, did not reached significance and did not interact with another
For the 70 dB intensity, the main effect of Type of pairing was significant (F(1,15)=17.32,
p<.001). There were 46% combinations more than fusions. Type of consonant was marginally
significant (F(1,15)=4.48, p<.06), voiceless consonants producing 9% illusions more than voiced ones.
The double interaction did not reach significance (F(1,15)=2.53, p<.20).
Factors affecting the McGurk illusions 13
For the 40 dB intensity, Type of pairing was again significant (F(1,15)=39.49, p<.0001),
combinations being 50% more numerous than fusions. Type of consonant was not significant
(F(1,15)=1.47, p<.30) but interacted with Type of pairing (F(1,15)=14.77, p<.01). Voiceless
consonants elicited more combinations than voiced ones (F(1,15)=16.35, p<.01), whereas for fusions,
there was no difference between both types of consonant (F(1,15)=1.94, p<.20).
A third ANOVA was run with Auditory intensity as between-participants variable and Type of
pairing and Type of consonant as within-participants variables. Auditory intensity was significant
(F(1,30)=7.73, p<.05), illusions being 18% more numerous at 40 dB than at 70 dB, but did not interact
with any other factor.
On average, and considering only the man speaker, illusions percentages increased from 15%
between Experiments 1 and 2. T -tests conducted, separately for each auditory intensity, on the total
number of illusions, showed that this difference was significant (for 70 dB: t(50) = 2.97, p<.01; for 40
dB: t(34) = 2.12, p<.05). The two experiments only differed in the kind of technology used for the
audiovisual synchronization (analogical for Experiment 1 and digital for Experiment 2). There are data
arguing that the McGurk effect is unaffected by temporal desynchronizations reaching about 200 msec.,
at least when sound is lagging the visual signal (Massaro & Cohen, 1993; Massaro, Cohen & Smeele,
1996; Munhall et al., 1996). The synchronization procedure used with the analogical technology might
on the contrary have produced an advance of the auditory signal. Indeed, in Experiment 1, the beginning
of the auditory track (that is, the acoustical burst) was synchronized on mouth opening, w hereas in
natural speech situations, mouth opening always precedes the acoustical burst. Such a desynchronization
(advance of the auditory signal) has been shown to have a strong detrimental effect on the McGurk
illusions (Bertelson, Vroomen & de Gelder, 1997; Munhall et al., 1996). Consequently, the accuracy of
the synchronization procedure enabled by the digital technology used in Experiment 2 might be
responsible for the 15% illusions increase found in this Experiment.
Apart from the illusions percentages, results of Experiment 2 were fairly similar to those of
Experiment 1, the number of illusions increasing as sound intensity decreased. Combinations were again
more numerous with voiceless than with voiced consonants, whereas for fusions a tendency to the
Factors affecting the McGurk illusions 14
reverse pattern was observed. Finally, the asymmetry between combinations and fusions was replicated.
On average for the two intensity conditions, there were 61% of combinations but only 13% of fusions.
A particularity of the present procedure compared to that used in most McGurk studies
(Diesch, 1995; Green & Gerdeman, 1995; Green, et al., 1991; Hardison, 1996; MacDonald &
McGurk, 1978; Sekiyama and Tokhura, 1991; Sekiyama and Tokhura, 1993; Walker et al., 1995;
Werker et al., 1992), was that there were no congruent trials. Although there is no obvious reason for
the inclusion of such trials to influence the number of illusions, a third experiment was performed in
which congruent trials were interspersed in incongruent ones. In order to assess the generality of the
results, the same variables as in Experiments 1 and 2 (sound intensity and voicing) were again
Thirty-two students (27 women and 5 men; mean age: 19,3 years; range: 17-30 year) selected
in the same way as those of the first and second experiments participated in this study. Again, half of the
participants were exposed to the stimuli played at 70 dB and the other half were exposed to a 40 dB
Materials and procedure.
The materials were the same as in the second experiment, but four congruent audiovisual
syllables were also edited (/bi/, /gi/, /pi/ and /ki/). The synchronization procedure was the same as in
Audiovisual items and control items were again presented in two different sets. The set of
control items was the same as in the second experiment. It consisted in one block of 24 trials (4 kinds of
trials repeated 6 times each and presented in random order). The set of audiovisual items was made of
4 blocks of 24 trials in which audiovisual congruent and incongruent trials were mixed up.
Factors affecting the McGurk illusions 15 Download full-text
The presentation procedure was similar to that of the second experiment. Again, for each
condition of intensity, two groups of participants were presented the control and experimental sets in a
different order. The entire session lasted about 20 minutes.
Results and discussion
The results were analysed in the same way as in Experiments 1 and 2 [illusory responses =
(audiovisual + visual responses) – errors in control trials]. Errors on control trials reached 15% for
velars and only 1% for bilabials. They consisted in the same kind of confusions as in Experiments 1 and
2. Again, the presentation order of the two sets was never significant and did not interact with another
INSERT TABLE 3 ABOUT HERE
Illusions percentages are presented in Table 3. ANOVAS were conducted on the data of each
For the 70 dB intensity, combinations were much more numerous than fusions (difference =
46%: F(1,15)=24.16, p<.001). Type of consonant was not significant (F(1,15)=3.24, p<.10) and did
not interact with Type of pairing (F(1,15)=1.15, p<.30).
For the 40 dB intensity, the asymmetry between combinations and fusions was still present
(difference = 50%: F(1,15)=30.83, p<.0001). Type of consonant was not significant (F<1) but
interacted with Type of pairing (F(1,15)=7.28, p<.05). Voiceless consonants produced more
combinations than voiced ones (F(1,15)=5.53, p<.05), whereas there was no difference between both
types of consonant for fusions (F(1,15)=1.54, p<.30).
Illusions were 12% more numerous at 40 dB, but the difference between both intensities was
not significant (F(1,30)=2.08, p<.20) and no interaction relative to Auditory intensity reached