Creativity Research Journal (Creativ Res J )

Publisher: Taylor & Francis

Description

This well-established journal publishes high quality, scholarly research capturing the full range of approaches to the study of creativity--behavioral, clinical, cognitive, cross-cultural, developmental, educational, genetic, organizational, psychoanalytic, psychometric, and social. Interdisciplinary research is also published, as is research within specific domains such as art and science, as well as on critical issues such as aesthetics, genius, imagery, imagination, incubation, insight, intuition, metaphor, play, and problem finding and solving. Integrative literature reviews and theoretical pieces that appreciate empirical work are welcome, but purely speculative articles will not be published.

  • Impact factor
    0.75
  • 5-year impact
    1.49
  • Cited half-life
    9.00
  • Immediacy index
    0.15
  • Eigenfactor
    0.00
  • Article influence
    0.45
  • Website
    Creativity Research Journal website
  • Other titles
    Creativity research journal (Online)
  • ISSN
    1532-6934
  • OCLC
    45662711
  • Material type
    Document, Periodical, Internet resource
  • Document type
    Internet Resource, Computer File, Journal / Magazine / Newspaper

Publisher details

Taylor & Francis

  • Pre-print
    • Author can archive a pre-print version
  • Post-print
    • Author cannot archive a post-print version
  • Restrictions
    • 12 month embargo for STM, Behavioural Science and Public Health Journals
    • 18 month embargo for SSH journals
  • Conditions
    • Some individual journals may have policies prohibiting pre-print archiving
    • Pre-print on authors own website, Institutional or Subject Repository
    • Post-print on authors own website, Institutional or Subject Repository
    • Publisher's version/PDF cannot be used
    • On a non-profit server
    • Published source must be acknowledged
    • Must link to publisher version
    • Set statements to accompany deposits (see policy)
    • Publisher will deposit to PMC on behalf of NIH authors.
    • STM: Science, Technology and Medicine
    • SSH: Social Science and Humanities
    • 'Taylor & Francis (Psychology Press)' is an imprint of 'Taylor & Francis'
  • Classification
    ​ yellow

Publications in this journal

  • [Show abstract] [Hide abstract]
    ABSTRACT: This study used canonical correlation analysis to explore the relation among scores on the Torrance test of figural and verbal creativity and demographic, psychological and physiological measures in Swedish product-development engineers. The first canonical variate included figural and verbal flexibility and originality as dependent measures and (a) higher scores on the brain integration scale, (b) faster speed of processing in an event-related potential task, (c) faster conflict-resolution during the Stroop task, (d) higher moral reasoning, and (e) higher manageability and lower comprehensibility as independent measures. Flexibility and originality reflect the ability to see old situations in new ways leading to unique responses. Greater mental adaptability was associated with greater brain integration and speed of processing along with higher moral reasoning and feeling of being in control. Future research could investigate effects of interventions that optimize brain integration on creative output across professions.
    Creativity Research Journal 05/2014;
  • [Show abstract] [Hide abstract]
    ABSTRACT: The aim of this study was to examine the associations of control and vividness of mental imagery on performance in several components of in-depth drawing in a sample of fine arts undergraduates. The sample consisted of 56 second-year undergraduates (44 women and 12 men, mean age¼21.18 years) from the Fine Arts Faculty of Vigo University, Pontevedra, Spain. Participants were required to undertake a plastic art assignment focusing on the pictorial representation of space. Participants scoring high on the image control test obtained higher scores on the spatial analysis and in the formal construction of a work than participants with poor image control. Further research involving spatial image performance tests and mental image rotation tests is proposed.
    Creativity Research Journal 05/2014; 26(2):244-247.
  • [Show abstract] [Hide abstract]
    ABSTRACT: This study was designed to provide multiple sources of evidence of the validity of the Creative Achievement Questionnaire (CAQ) and to clarify the hierarchy of creative achievement using Rasch analyses. A total of 905 Taiwanese participants (345 men and 558 women) completed the CAQ online. The Rasch model was used to assess model–data fit. A differential item functioning (DIF) analysis was conducted to assess the consistency of the ratings provided by males and females. The results revealed that the 10 dimensions of the CAQ showed good model–data fit and supported the two-factor classification (arts and sciences). Additionally, several items from each domain exhibited substantial DIF across genders. Moreover, with the exception of dance, creative writing, architectural design, theater and film, and culinary arts, items in the 10 domains were hierarchically ordered. Suggestions for future research to revise the CAQ were proposed.
    Creativity Research Journal 02/2014; 26(1):62-71.
  • [Show abstract] [Hide abstract]
    ABSTRACT: On the basis of contradictory findings regarding the factor structure of the Torrance Tests of Creative Thinking (TTCT) Figural scale, the objective of this study was to compare, through a confirmatory factor analysis (CFA), four theoretical models that explain the operationalized creativity construct with the TTCT. We evaluated a sample of 577 Spanish-speaking school children of both genders, aged 9 to 14 years. The CFA of most satisfactory fit identified two correlated factors: (a)innovative and (b) adaptive.Besides, multigroup CFA revealed that the 2-factor solution was invariant (configural,metric, and structural) across gender. Finally, MANOVAs were conducted to analyze the differences in each factor and subscale according to gender, revealing significant group differences. The methodological and educational implications of the results are discussed.
    Creativity Research Journal 01/2014; 26(1):72-81.
  • Creativity Research Journal 07/2013;
  • [Show abstract] [Hide abstract]
    ABSTRACT: An incubation effect occurs when taking a break from a problem helps solvers arrive at the correct solution more often than working on it continuously. The forgetting-fixation account, a popular explanation of how incubation works, posits that a break from a problem allows the solver to forget the incorrect path to the solution and finally access the correct path. This study tested the forgetting-fixation account using a trial-by-trial method on a sample of 152 native English speakers who were asked to solve 12 remote associate tests (RATs). During the first attempt, participants in the fixation condition were presented with misleading clues, and those in the no-fixation condition were not. At the completion of the first attempt for each RAT, half of the fixation and half of the no-fixation participants read an article for 2 min before attempting to solve the RAT for the second time, but the other halves worked on each RAT continuously. As predicted by the forgetting-fixation account, only in the fixation condition did participants who read an article perform better than those who worked on them continuously. Moreover, fixated participants performed better than nonfixated participants, and this differential effect was only evident in the incubation condition.
    Creativity Research Journal 01/2012; 24:338.
  • [Show abstract] [Hide abstract]
    ABSTRACT: Although research demonstrated that people can mentally manipulate and synthesize visual elements into a creative object, the role that vividness of visual imagery plays on creative imagery is still unclear. This study explored the relationships between vividness of visual imagery and 3 dimensions of creative imagery: originality, practicality, and mental spatial transformations of visual elements. Fifty-three participants performed the creative mental synthesis task and completed the Vividness of Visual Imagery Questionnaire (VVIQ). Results revealed a positive relationship between vividness and the practicality dimension of objects. No relationship was found either between vividness and originality or between vividness and transformational complexity. The association vividness–practicality seems to reflect the ability to use pictorial information of imagery when people generate functional objects that belong to specific categories. Future research directions are discussed.
    Creativity Research Journal 11/2011;

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